A work in constant progress (and occasional regress).
Release Date:
July 21, 2011
Original Title:
Friends with Benefits
Alternate Titles:
Amigos Coloridos
Amigos con Beneficios
Amigos con beneficios
Amis modernes
Amizade Colorida
Barátság extrákkal
Con derecho a roce
Friends With Benefits
Friends with Benefits
Kamarád taky rád
Priatelia s výhodami
Sexe entre amis
To tylko sex
Οχι Μόνο Φίλοι
Секс по дружбе
恋搞好朋友
朋友也上床
炮友关系
프렌즈 위드 베네핏
Genres:
Comedy | Romance
Production Companies:
Castle Rock Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BG: C BR: 14 CH: 16 CZ: 18+ DE: 12 DK: A FR: 12 GB: 15 HU: 20 IE: 16 JP: PG12 KR: 18 LT: N-13 NL: 12 PL: 18 PT: M/12 RO: 18 SK: 12 US: R
Runtime: 110
Dylan is done with relationships. Jamie decides to stop buying into the Hollywood clichés of true love. When the two become friends they decide to try something new and take advantage of their mutual attraction - but without any emotional attachment.
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"A" Camera Operator:
Darin Moran
"B" Camera Operator:
Mark Meyers
Kyle Rudolph
"C" Camera Operator:
Bill Coleman
ADR Editor:
Anthony J. Ciccolini III
ADR Mixer:
Brian Smith
Additional Visual Effects:
Chris Roff
Aerial Director of Photography:
David B. Nowell
Brian Heller
Art Department Coordinator:
Paris Pickard
Tina Khayat
Art Direction:
Stephen H. Carter
Bo Johnson
Assistant Art Director:
John B. Josselyn
Al Lewis
Assistant Chief Lighting Technician:
John Linares
Joseph Grimaldi
Assistant Costume Designer:
Elizabeth Shelton
Assistant Editor:
Kristine McPherson
Assistant Location Manager:
Peter Gluck
Kandice Billingsley
S. Dylan Kirkland
Justin Kron
Assistant Production Coordinator:
Lauren Brooke Kurfirst
Canella Williams
Assistant Property Master:
Rebecca Rosenthal
James V. Kent
Natalie N. Dorset
Assistant Sound Editor:
Eryne Prine
Best Boy Grip:
David C. Wright
Paul Candrilli
Boom Operator:
Benjamin Wienert
Schavaria Reeves
Casting:
Jennifer Euston
Lisa Miller Katz
Casting Assistant:
Emer O'Callaghan
Casting Associate:
Joseph Wisniewski
Chief Lighting Technician:
Mike Karasick
Bill O'Leary
William O'Leary
Choreographer:
Ashley Wallen
Co-Producer:
Alicia Emmrich
Nicolas Stern
Compositing Artist:
Rob Price
Amy Edwards
Prasanna Siddharthan
Philip Broste
Darren MacKay
Jon Anastasiades
Harrison Rutherford
Compositing Lead:
Travis Baumann
Construction Coordinator:
Karen Higgins
Construction Foreman:
Steven Kissick
Costume Design:
Renee Ehrlich Kalfus
Costume Supervisor:
Hope Slepak
Joanna Brett
Costumer:
Yulia Gershenzon
Annie Laoparadonchai
Winsome G. McKoy
Careen Fowles
Barrett Hong
Linda Giammarese
Dialogue Editor:
David Williams
Digital Colorist:
John Persichetti
Digital Imaging Technician:
Edward Viola
Director:
Will Gluck
Director of Photography:
Michael Grady
Dolly Grip:
Kenny Davis
T.S. Hale
Editor:
Tia Nolan
Executive Producer:
Glenn S. Gainor
Executive Visual Effects Producer:
Olcun Tan
First Assistant "A" Camera:
Brian Morena
Edwin Effrein
First Assistant "B" Camera:
Mary F. Stankiewicz
Marc Hillygus
First Assistant "C" Camera:
Jeffrey Dutemple
First Assistant Accountant:
Nicholas Brown
First Assistant Director:
Todd Amateau
First Assistant Editor:
Stacey S. Clipp
Foley Artist:
Robin Harlan
Sarah Monat
Foley Mixer:
Randy Singer
Hair Department Head:
Adruitha Lee
Hairstylist:
Jason Green
Key Costumer:
Roberta Bilé
Linda S. Cormany
Key Grip:
Jason Andrew
Mitchell Andrew Lillian
Key Hair Stylist:
Lynda Kyle Walker
Ralph Stanzione
Key Makeup Artist:
Carla White
Tracy Manzo
Leadman:
Steve Seine
Bryan Walsh
Location Manager:
Douglas Dresser
Gayle Vangrofsky
Makeup Artist:
David Waterman
Tracey Levy
Makeup Department Head:
Michelle Vittone
Music Editor:
Sherry Whitfield
Music Supervisor:
Wende Crowley
Producer:
Jerry Zucker
Martin Shafer
Janet Zucker
Will Gluck
Liz Glotzer
Production Accountant:
Chris Romberg
Production Coordinator:
Sue Smith
Sarah D. Connolly
Production Design:
Marcia Hinds
Production Secretary:
Jordan Gilbert
Gillian M. Berrow
Production Sound Mixer:
Geoffrey Patterson
Joe White
Production Supervisor:
Meredith Meade
Montez A. Monroe
Property Master:
Tommy Tomlinson
Peter Gelfman
Rigging Gaffer:
J. A. Byerly
Richie Ford
Rigging Grip:
Kyle Drevlo
Chad Herr
John Bratlien
Louis Petraglia
Michael A. McFadden
James Boniece
Screenplay:
Will Gluck
Keith Merryman
David A. Newman
Script Supervisor:
Jody Blose
Second Assistant "A" Camera:
Arturo Rojas
Greg Finkel
Second Assistant "B" Camera:
Jeff Griffith
Alexis Le
Second Assistant "C" Camera:
Angela Bellisio
Second Assistant Director:
Anthony J. Nahar
Second Second Assistant Director:
Heather Kritzer
Matt Power
Set Decoration:
Alyssa Winter
Cindy Coburn
Set Designer:
James E. Tocci
Set Dresser:
Marcus Epps
Ruth DeLeon
Sound Effects Editor:
Matt Temple
Sound Re-Recording Mixer:
Tateum Kohut
Greg Orloff
Special Effects Coordinator:
Jeffrey A. Wischnack
Special Effects Supervisor:
Tommy Frazier
Stand In:
Crystal Aguilar
Laura Love Tode
Steadicam Operator:
Kyle Rudolph
Mark Meyers
Still Photographer:
Glen Wilson
David Giesbrecht
Story:
Keith Merryman
David A. Newman
Harley Peyton
Stunt Coordinator:
Eddie L. Watkins
Lance Gilbert
Stunt Double:
Jared Burke
Brady Romberg
Stunt Driver:
Marc C. Geschwind
Jimmy N. Roberts
Stunts:
Clay Cullen
Erik Rondell
Chad Randall
Larry Rippenkroeger
Mark Dobson
Chuck 'Chaz' Hosack
James M. Halty
Matthew R. Staley
Glen Yrigoyen
Mike Smith
Monty L. Simons
Troy Gilbert
Mark Muñoz
Supervising ADR Editor:
Robert Ulrich
Supervising Sound Editor:
Jon Wakeham
Transportation Captain:
Dan Brizendine
William Gaskins
Transportation Co-Captain:
Jayson Ehlers
James Keegan
Unit Production Manager:
Glenn S. Gainor
Utility Stunts:
Brandon Cornell
VFX Editor:
Bernardo Rodriguez
Visual Effects Coordinator:
Joey Bonander
Visual Effects Producer:
Raoul Bolognini
Visual Effects Supervisor:
Thomas Tannenberger
Rocco Passionino
Ralph Maiers
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.