A work in constant progress (and occasional regress).
Release Date:
December 18, 1998
Original Title:
You've Got Mail
Alternate Titles:
A szerelem hálójában
Ai primit e-mail
Bạn Có Thư
C'è Posta Per Te
Du har m@il
Du har mail
E Mail fuer Dich
E-Mail für Dich
Email für Dich
Imaš poštu
Jums žinute
Láska cez internet
Láska přes internet
Masz wiadomość
Mensagem Para Você
Mesaj pentru tine
Mesajınız Var
Sinulle on posti@
Sinulle on postia
Sulle on sõnum
Tev pienācis pasts
Tienes un e-m@il
Tienes un e-mail
Você Tem Uma Mensagem
Vous avez un mess@ge
Vous avez un message
e-m@il für Dich
Čaka te pošta
Έχετε μήνυμα στον υπολογιστή σας
Вам лист
Вам письмо
Имате поща
Стигла вам је пошта
ایمیل داری
شما ایمیل دارید
شما نامه داری
यू हैव गोट मेल
ユー・ガット・メール
網上情緣
電子情書
Genres:
Comedy | Romance
Production Companies:
The Donners' Company
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 12 CH: 6 CZ: 12+ DE: 6 DK: 11 ES: APTA FI: K-7 FR: U GB: PG HU: 12 IE: PG IT: T JP: G LU: A MX: B-15 NL: AL NO: 12 PL: 12 PT: M/12 SE: Btl US: PG
Runtime: 119
Book superstore magnate, Joe Fox and independent book shop owner, Kathleen Kelly fall in love in the anonymity of the Internet—both blissfully unaware that he's trying to put her out of business.
Art Direction:
Beth Kuhn
Ray Kluga
Assistant Chief Lighting Technician:
William Hines
Assistant Editor:
Shelly Westerman
Associate Editor:
Tia Nolan
Associate Producer:
Dianne Dreyer
Best Boy Grip:
Kenny Burke
John Panuccio
Camera Operator:
Craig DiBona
Casting:
Francine Maisler
Chief Lighting Technician:
Gene Engels
Co-Producer:
Donald J. Lee Jr.
Costume Design:
Albert Wolsky
Dialogue Editor:
Magdaline Volaitis
Nicholas Renbeck
Director:
Nora Ephron
Director of Photography:
John Lindley
Dolly Grip:
Dave Lowry
Editor:
Richard Marks
Executive Producer:
Delia Ephron
G. Mac Brown
Julie Durk
First Assistant Camera:
Eric Swanek
First Assistant Director:
David Sardi
First Assistant Editor:
John Scott Cook
Foley Editor:
Kam Chan
Frank Kern
Greensman:
Ray Fisher
Hairstylist:
John Quaglia
Key Grip:
Tom Prate
Makeup Artist:
Don Kozma
Music Supervisor:
Nicholas Meyers
Original Film Writer:
Samson Raphaelson
Original Music Composer:
George Fenton
Producer:
Lauren Shuler Donner
Nora Ephron
Production Assistant:
Jeremy Strong
Production Design:
Dan Davis
Production Sound Mixer:
Chris Newman
Property Master:
James Mazzola
Screenplay:
Nora Ephron
Delia Ephron
Script Supervisor:
Dianne Dreyer
Second Assistant Camera:
Lee Kazista
Heather Norton
Second Assistant Director:
Maggie Murphy
Second Second Assistant Director:
Kenneth G. Brown
Set Decoration:
Ellen Christiansen
Susan Bode Tyson
Songs:
Randy Newman
Sound Effects Editor:
Lewis Goldstein
Sound Re-Recording Mixer:
Lee Dichter
Ron Bochar
Still Photographer:
Brian Hamill
Supervising Sound Editor:
Ron Bochar
Theatre Play:
Miklós László
Unit Production Manager:
Donald J. Lee Jr.
Unit Publicist:
Betsy Sokolow-Sherman
Video Assist Operator:
Peter A. Milan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.