A work in constant progress (and occasional regress).
Release Date:
October 6, 1995
Original Title:
Assassins
Alternate Titles:
Asesinos
Day of Reckoning
Suikastçi
assassins
Наемные убийцы
Убивці
Убийцы
最后刺客
Genres:
Action | Adventure | Crime | Thriller
Production Companies:
Canal+
Donner/Shuler-Donner Productions
Evansgideon/Lazar
Silver Pictures
The De Laurentiis Company
Warner Bros. Pictures
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M BR: 16 CZ: 15+ DE: 16 ES: 18 FR: U GB: 15 HU: 16 IE: 18 IT: VM14 KR: 18 NL: 12 US: R
Runtime: 132
Assassin Robert Rath arrives at a funeral to kill a prominent mobster, only to witness a rival hired gun complete the job for him -- with grisly results. Horrified by the murder of innocent bystanders, Rath decides to take one last job and then return to civilian life. But finding his way out of the world of contract killing grows ever more dangerous as Rath falls for his female target and becomes a marked man himself.
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Additional Camera:
Robin Buerki
Aerial Camera:
Frank M. Holgate
Art Department Coordinator:
Wendy Skerritt
Art Direction:
Steve Arnold
Nathan Crowley
Leticia Stella
Assistant Property Master:
Audrey A. Johnson
Best Boy Grip:
Raphy Molinary
Jerry C. Deats
Camera Operator:
Ray De La Motte
Neal Norton
Michael A. Jones
Paul M. Pollard
Joseph E. Thibo
Casting:
Marion Dougherty
Casting Associate:
Douglas Wright
Color Timer:
Jeff Smithwick
Bob Kaiser
Costume Design:
Elizabeth McBride
Costume Supervisor:
Cha Blevins
Costumer:
Suzanne Krim
Dialect Coach:
Joy Ellison
Dialogue Editor:
Virginia Cook-McGowan
Catherine Flynn
John F. Reynolds
Marshall Winn
Director:
Richard Donner
Director of Photography:
Vilmos Zsigmond
Editor:
Richard Marks
Lawrence Jordan
Electrician:
Wes Houle
Andy Reynolds
Angel Pastrana
Robert SummerStone
Executive Producer:
Dino De Laurentiis
Lauren Shuler Donner
Extras Casting:
Tina Kerr
First Assistant Camera:
Steve Itano
Ken Nishino
Dennis Seawright
Bob Webeck
First Assistant Director:
Vicente Juarbe
J. Tom Archuleta
Jim Van Wyck
First Assistant Editor:
Tia Nolan
Foley:
Kevin Bartnof
Catherine Rowe
Gaffer:
Bob E. Krattiger
Greensman:
Michael McCombe
Hair Department Head:
Charlene Johnson
Hairstylist:
Charlene Johnson
Helicopter Camera:
Frank M. Holgate
Key Rigging Grip:
Michael E. Matteson
Leadman:
Steven Curtis Husch
Lighting Technician:
Raul J. Marin
Ian Jennings
David R. Kohn
Location Manager:
Patricia Fay
Makeup Artist:
Scott H. Eddo
Deborah K. Larsen
Makeup Supervisor:
Tammy Baker
Original Music Composer:
Mark Mancina
Producer:
Raynold Gideon
Joel Silver
Jim Van Wyck
Richard Donner
Andrew Lazar
Bruce A. Evans
Production Accountant:
Ricki L. Stein
Production Coordinator:
Heather Murphy
Production Design:
Thomas E. Sanders
Production Office Assistant:
Paloma Suau
Production Supervisor:
John M. Woodward
Prop Maker:
Randal R. Groves
John Giuliano
Property Master:
Erik L. Nelson
Researcher:
Jeff J. Davis
Screenplay:
Lilly Wachowski
Lana Wachowski
Brian Helgeland
Script Supervisor:
Kay Taylor
Karen Thorndike
Second Unit Director:
Conrad E. Palmisano
Second Unit Director of Photography:
Gary Holt
Set Costumer:
Eva Prappas
Sally Roberts
Marienne O'Brien
Set Decoration:
Lisa Dean
Set Decoration Buyer:
Helen Kozora
Set Designer:
Chad Griffin
Noelle King
Gilbert Wong
Alan Manzer
Set Dresser:
Mark Sakamoto
David M. Bowen
Brady J. Condit
Sound Effects Editor:
Peggy McAffee
Sound Re-Recording Mixer:
Rick Alexander
Gregg Rudloff
Jeffrey J. Haboush
John T. Reitz
Kevin E. Carpenter
David E. Campbell
Les Fresholtz
Greg P. Russell
Special Effects Coordinator:
Rafael Pérez
Dennis Petersen
Still Photographer:
Andrew Cooper
Story:
Lana Wachowski
Lilly Wachowski
Storyboard Artist:
Eric Ramsey
Stunt Coordinator:
Dick Hancock
Conrad E. Palmisano
Mark De Alessandro
Stunt Double:
Henry Kingi Jr.
Patricia M. Peters
Mark De Alessandro
Stunts:
Barbara Anne Klein
Bob Minor
Melissa R. Stubbs
Supervising Armorer:
Kent H. Johnson
Supervising Art Director:
Daniel T. Dorrance
Supervising Music Editor:
Zigmund Gron
Supervising Sound Editor:
Robert G. Henderson
Unit Publicist:
Peter J. Silbermann
Utility Stunts:
Bruce Paul Barbour
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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