A work in constant progress (and occasional regress).
Release Date:
December 17, 2004
Original Title:
Spanglish
Alternate Titles:
Espanglish
Ispangliká
Ispanskiy-angliyskiy
Ispansʹka anhliysʹka
Spanglish - käännöskukkasia
Spenglish
Испанский-английский
Genres:
Comedy
Production Companies:
Columbia Pictures
Gracie Films
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 CH: 16 CZ: 15+ DE: 6 DK: 15 FI: K-12 FR: U HU: 16 IE: 12 JP: G KR: 12 MX: B-15 NL: 12 NO: 6 SE: 15 US: PG-13
Runtime: 130
Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can't handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Howard London
ADR Recordist:
Matthew McKenzie
ADR Supervisor:
Michael Haight
Additional Casting:
Ed Arenas
Additional Music:
Kazimir Boyle
Additional Second Assistant Director:
Jeani Harris-Olivieri
Aerial Coordinator:
Bruce Benson
Aerial Director of Photography:
Phil Pastuhov
Art Department Assistant:
Shaun Young
Art Department Coordinator:
Circe Mirano
Art Direction:
Tom Reta
Assistant Accountant:
Beth Bargas
Assistant Chief Lighting Technician:
John 'Fest' Sandau
Assistant Costume Designer:
Cathy Crandall
Assistant Craft Service:
Jerome Zelle
Assistant Director:
Aldric La'Auli Porter
Assistant Editor:
Terel Gibson
Assistant Location Manager:
Lea Ann Lynch
Assistant Production Coordinator:
Charlie Bolwell
Assistant Property Master:
Jim Stubblefield
Assistant Sound Editor:
Bill Burns
Associate Producer:
Maria Kavanaugh
Best Boy Electric:
Jesse Tango
Best Boy Grip:
Glen Purdy
Boom Operator:
Joseph F. Brennan
Camera Operator:
George Billinger III
Casting:
Manuel Teil
Addison McQuigg
Mary Vernieu
Casting Assistant:
Venus Kanani
Casting Associate:
Shalimar Reodica
Chief Lighting Technician:
Jack S. Schlosser
Choreographer:
Liz Imperio
Co-Producer:
Richard Marks
Francine Maisler
Aldric La'Auli Porter
Color Timer:
Steve Bowen
Conductor:
Blake Neely
Construction Coordinator:
Hugh Conlon
Construction Foreman:
Billy Iiams Jr.
Costume Assistant:
Laura Neeff
Costume Coordinator:
Thao T. Vu
Costume Design:
Louise Mingenbach
Shay Cunliffe
Costume Supervisor:
Charlene Amateau
Costumer:
Sandra Bojin-Sedlik
Craft Service:
Ella Marcus
Dialect Coach:
Roberta Farkas
Dialogue Editor:
Alison Fisher
Larry Kemp
David V. Butler
Mark Yardas
Kim Drummond
Digital Color Timer:
Paul McGhee
Digital Colorist:
Ben Estrada
Digital Compositor:
Jim Gorman
Digital Compositors:
Lisa Deaner
Digital Effects Supervisor:
Tyler Foell
Digital Intermediate Producer:
Lorene Simpson
Director:
James L. Brooks
Director of Photography:
John Seale
Driver:
Shawn Coulter
Editor:
Tia Nolan
Richard Marks
Editorial Coordinator:
Mitch Zeitlin
Electrician:
Lamarr Gray
Executive Producer:
Joan Bradshaw
Christy Haubegger
First Assistant Camera:
Clyde E. Bryan
First Assistant Editor:
Debra L. Tennant
First Assistant Sound Editor:
Galen Goodpaster
Foley Artist:
Goro Koyama
Gaffer:
Bob E. Krattiger
Graphic Designer:
David E. Scott
Greensman:
Sean D. Jackson
Grip:
Edward Hohman
Hair Department Head:
Kelvin R. Trahan
Hairstylist:
Marc Boyle
Key Costumer:
Sharon Iris Crall
Key Hair Stylist:
Trish Almeida
Key Makeup Artist:
Kate Biscoe
Key Set Production Assistant:
Terrence B. Zinn
Leadman:
Russell Anderson
Lighting Technician:
Jesse Mather
Loader:
James Goldman
Local Casting:
Jaclyn Brodsky
Location Manager:
Mark B. Johnson
Location Scout:
James Lin
Makeup Artist:
Jamie Leigh DeVilla
Makeup Designer:
Michèle Burke
Music Arranger:
Henning Lohner
Music Consultant:
Bob Badami
Music Editor:
Melissa Muik
Music Supervisor:
Elliot Lurie
Negative Cutter:
Mo Henry
Orchestrator:
Bruce Fowler
Original Music Composer:
Hans Zimmer
Painter:
David Carberry
Payroll Accountant:
Nicky Craft
Producer:
James L. Brooks
Richard Sakai
Julie Ansell
Production Accountant:
Denise Morgan McGrath
Production Assistant:
Lillian Awa
Production Consultant:
Bruce A. Block
Production Coordinator:
Dhana Gilbert
Production Design:
Ida Random
Production Driver:
Chris Haynes
Production Office Coordinator:
Gabriela Ríos
Production Secretary:
Tora Chung
Project Manager:
Diane Macke
Property Master:
Robin L. Miller
Propmaker:
Elvin Yoshida
Researcher:
Jason Corgan Brown
Rigging Gaffer:
Charlie McIntyre
Rigging Grip:
Jose Danner
Scenic Artist:
Max Gabl
Score Engineer:
Abhay Manusmare
Scoring Mixer:
Alan Meyerson
Script Consultant:
Alfonso Gomez-Rejon
Script Coordinator:
Larry Leahy
Script Supervisor:
Sharron Reynolds-Enriquez
Second Assistant Accountant:
Wendy Kutzner
Second Assistant Director:
David Hyman
Second Second Assistant Director:
Kristen Ploucha
Second Unit:
Steve Chase
Second Unit Director:
Bruce A. Block
Set Costumer:
Demetricus Holloway
Set Decoration:
Leslie A. Pope
Set Designer:
Mariko Braswell
Set Dressing Artist:
Greg Benge
Set Medic:
Brian Clark
Set Production Assistant:
Alex Leimone
Software Engineer:
Jeremy Selan
Sound Effects Editor:
Scott G.G. Haller
Sound Mixer:
Thomas Causey
Stand In:
Maite Garcia
Steadicam Operator:
Tommy Lohmann
Still Photographer:
Bob Marshak
Storyboard Artist:
Mark Moretti
Studio Teachers:
Jo Ann Smith
Stunt Coordinator:
Alex Daniels
Stunt Double:
Paul Eliopoulos
Stunts:
Lisa Dempsey
Jimmy Ortega
Jeffrey G. Barnett
Supervising Sound Editor:
Dennis Drummond
Swing:
Brett Von Shirley
Translator:
Dolores Aguirre
Transportation Captain:
Tim Sisson
Transportation Coordinator:
Dan Brizendine
Unit Production Manager:
Daniel M. Stillman
Unit Publicist:
Bronwyn Preston
Utility Sound:
Richard Kite
Video Assist Operator:
Michael Herron
Visual Effects Editor:
Roxanne Dorman
Visual Effects Producer:
Lydia Bottegoni
Visual Effects Supervisor:
Gray Marshall
Ray McIntyre Jr.
Writer:
James L. Brooks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.