A work in constant progress (and occasional regress).
Birthplace:
Linz, Upper Austria, Austria
Born:
December 11, 1962
Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles. Paul began his career as a member of Electronic Music pioneers Tangerine Dream. He toured with the band extensively from 1985-90 and contributed to projects such as the album "Underwater Sunlight" (1986), as well as the films "Near Dark" (1987) and "Miracle Mile" (1988). In 1990, the band received a Grammy Nomination for their score to the Miramar Documentary 'Canyon Dreams'. Paul moved to Los Angeles in 1991 to expand his creative scope. This led to a number of collaborations and began to shift his focus towards film scoring. It was his programming work for composer Graeme Revell that caught the attention of Hollywood executives which lead to his first solo credit, scoring HBO's Cheaters in 2000. Paul received an Emmy nomination for his work on the Showtime Series 'Sleeper Cell' (2007).
Music:
1987 Canyon Dreams
1987 Three O'Clock High
1994 Pointman
1997 Planetary Traveler
1997 Siggraph '97 Electronic Theater: Opening Ident
1999 The Story of Computer Graphics
2000 CyberWorld
2007 Gardener of Eden
2021 Pearl
2024 Good Men
Music Arranger:
1987 Canyon Dreams
1987 Three O'Clock High
1994 Pointman
1997 Planetary Traveler
1997 Siggraph '97 Electronic Theater: Opening Ident
1999 The Story of Computer Graphics
2000 CyberWorld
2000 Pitch Black
2007 Gardener of Eden
2021 Pearl
2024 Good Men
Music Programmer:
1987 Canyon Dreams
1987 Three O'Clock High
1994 Pointman
1997 Planetary Traveler
1997 Siggraph '97 Electronic Theater: Opening Ident
1998 The Siege
1999 The Story of Computer Graphics
2000 CyberWorld
2000 Pitch Black
2000 Red Planet
2001 Lara Croft: Tomb Raider
2007 Gardener of Eden
2021 Pearl
2024 Good Men
Original Music Composer:
1987 Canyon Dreams
1987 Near Dark
1987 Shy People
1987 Three O'Clock High
1988 Dead Solid Perfect
1988 Miracle Mile
1989 Catch Me If You Can
1994 Pointman
1997 Planetary Traveler
1997 Siggraph '97 Electronic Theater: Opening Ident
1998 The Siege
1999 The Story of Computer Graphics
2000 Cheaters
2000 CyberWorld
2000 Pitch Black
2000 Red Planet
2001 Crazy/Beautiful
2001 Lara Croft: Tomb Raider
2001 Picture Claire
2002 Blue Crush
2003 Underworld
2004 Bring It On Again
2004 The Girl Next Door
2005 Into the Blue
2006 Crank
2006 Turistas
2007 Gardener of Eden
2007 Shoot 'Em Up
2007 Vacancy
2008 Death Race
2008 Make It Happen
2008 Prom Night
2008 While She Was Out
2009 After.Life
2009 Underworld: Rise of the Lycans
2010 Death Race 2
2010 Takers
2011 The Three Musketeers
2012 Seal Team Six: The Raid on Osama Bin Laden
2012 Underworld: Awakening
2013 Mysteries of the Unseen World
2014 In the Blood
2014 No Good Deed
2016 Resident Evil: The Final Chapter
2018 Ride
2018 The Perfection
2018 Wildling
2019 The Dirt
2020 Monster Hunter
2021 Pearl
2022 The Other Me
2023 The YouTube Effect
2024 Good Men
2024 In the Lost Lands
Music:
2015 The Messengers
2017 Wisdom of the Crowd
Original Music Composer:
2014 Halt and Catch Fire
2015 Fear the Walking Dead
2015 The Messengers
2017 Wisdom of the Crowd
Sound:
2014 Halt and Catch Fire
2015 Fear the Walking Dead
2015 The Messengers
2017 Wisdom of the Crowd
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.