A work in constant progress (and occasional regress).
Release Date:
April 9, 2004
Original Title:
The Girl Next Door
Alternate Titles:
Devojka iz susedstva
Dokhtare Hamsayeh
Fata din vecini
La Vecina De Al Lado
Naegen neomu ajjilhan geunyeo
Qonşu Qızı
Sosedka
Susidka
Sŭsedka za seks
The Girl Next Door
To korítsi tis diplanís pórtas
ガール・ネクスト・ドア:2004
家有芳邻
爱上AV女郎
邻家女孩
Genres:
Comedy | Romance
Production Companies:
20th Century Fox
Daybreak
Epsilon Motion Pictures
New Regency Pictures
Regency Enterprises
Production Countries:
Switzerland | United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 14 CA: R CH: 12 CZ: 18+ DE: 12 ES: 18 FI: K-16 FR: 12|16 GB: 15 HU: 18 IE: 18 IT: VM14 MX: C NL: 12 NO: 18|15 PL: 18 PT: M/16 RO: 18 RU: 16+ SE: 15 US: R|NR
Runtime: 110
Exceptionally ambitious high schooler Matthew has aspirations for a career in politics when he falls in love with his gorgeous 19-year-old neighbor, Danielle. But Matthew's bright future is jeopardized when he finds Danielle was once a porn star. As Danielle's past catches up with her, Matthew's love for her forces him to re-evaluate his goals.
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ADR Editor:
Nancy Nugent
ADR Mixer:
Greg Steele
ADR Recordist:
Christopher Fitzgerald
Additional Music:
Pfilbryte
Additional Photography:
Jonathan Sela
Additional Sound Re-Recording Mixer:
Bruce Barris
Art Department Assistant:
Marla Altschuler
Art Department Coordinator:
Nancy A. King
Art Direction:
Jason Weil
Assistant Editor:
Tom Dailey
Assistant Location Manager:
Jess Cole
Assistant Production Coordinator:
Christopher K. Grap
Assistant Property Master:
Cliff Bernay
Assistant Sound Editor:
Paul Aulicino
Associate Editor:
William Kruzykowski
Best Boy Electric:
Tom Fendley
Best Boy Grip:
Dana Baker
Boom Operator:
Robert Jackson
Camera Loader:
Daniel C. McFadden
Camera Operator:
Bill Brummond
Casting:
Mali Finn
Casting Assistant:
Micah Dahlberg
Casting Associate:
David Rapaport
Choreographer:
Hi-Hat
Co-Producer:
Richard Wenk
Color Timer:
Jim Passon
Colorist:
Dave Lee
Construction Coordinator:
Denis Cordova
Construction Foreman:
David Fanderlik
Costume Design:
Marilyn Vance
Costume Supervisor:
Hope Slepak
Costumer:
Tammy Williamson
Director:
Luke Greenfield
Director of Photography:
Jamie Anderson
Dolly Grip:
Victor A. Shelehov
Driver:
Jack Jay Reece
Editor:
Mark Livolsi
Executive Assistant:
Brad Combs
Executive In Charge Of Post Production:
Daniel R. Chavez
Executive Producer:
Guy Riedel
Arnon Milchan
Extras Casting:
David Anthony
First Assistant Accountant:
Michael DeSantis
First Assistant Camera:
Steven Hiller
First Assistant Director:
Rip Murray
Foley Artist:
Laura Macias
Foley Editor:
Shawn Sykora
Foley Mixer:
Shawn Kennelly
Gaffer:
David Morton
Generator Operator:
Larry Michael
Greensman:
Bobby Joe Garren
Hairstylist:
Suzan Bagdadi
Key Grip:
Al LaVerde
Key Hair Stylist:
Susan Mills
Key Makeup Artist:
Dennis Liddiard
Key Rigging Grip:
Kent Baker
Lighting Technician:
Derek Page
Location Manager:
Paul Schreiber
Jesse Cole
Makeup Artist:
Karen Blynder
Makeup Department Head:
Paula Kelly
Music Consultant:
Carlton Kaller
Music Coordinator:
Jessica Clements
Music Editor:
Wolfgang Amadeus
Music Supervisor:
Peter Afterman
Negative Cutter:
Gary Burritt
Orchestrator:
Jane Antonia Cornish
Original Music Composer:
Paul Haslinger
Payroll Accountant:
Christopher Wade
Picture Car Coordinator:
Jim Moores
Post Production Assistant:
Lonnie A. Mathes
Producer:
Harry Gittes
Marc Sternberg
Charles Gordon
Production Accountant:
Harvey Malkin
Production Assistant:
Theron Alford
Production Coordinator:
Kelly Moran-Brown
Production Design:
Stephen J. Lineweaver
Production Illustrator:
Natalie Richards
Production Secretary:
J.J. Titone
Production Supervisor:
M. Kent Kay
Property Master:
Michael Milgrom
Researcher:
Ashley Kravitz
Rigging Gaffer:
Greg Banta
Rigging Grip:
Eric Betts
Script Supervisor:
Marion Tumen
Second Assistant Accountant:
Michelle Stevens
Second Assistant Camera:
Matt Kennedy
Second Assistant Director:
Jules Kovisars
Second Second Assistant Director:
Elenie Mansalis
Set Costumer:
Craig Anthony
Set Decoration:
Traci Kirshbaum
Set Designer:
John Berger
Set Dresser:
Victor Mendez
Set Dressing Buyer:
Vanessa Couron
Set Medic:
Alex Barnoya
Set Production Assistant:
Elizabeth C. Camp
Sound Designer:
Aaron Martin
Sound Effects Editor:
Steve Mann
Sound Engineer:
Carl D. Ware
Sound Mixer:
David Kelson
Sound Re-Recording Mixer:
Michael C. Casper
Sound Recordist:
Eric Bretter
Special Effects Supervisor:
John C. Hartigan
Special Effects Technician:
Ron Rosegard
Stand In:
Spencer Andrews
Standby Painter:
Timothy D. Ackers
Steadicam Operator:
Jacques Jouffret
Still Photographer:
Peter Iovino
Storyboard Artist:
Joel Venti
Stunt Coordinator:
John Robotham
Stunt Double:
Kym Stys
Gary Guercio
Tim Sitarz
Stunt Driver:
Brian Avery
Jody Hart
Stunts:
Corey Michael Eubanks
Joni Avery
Tabby Hanson
Christopher Leps
Hubie Kerns Jr.
Sean Graham
Justin Sundquist
Kevin Beard
Jayson Dumenigo
Supervising Dialogue Editor:
Paul Curtis
Supervising Music Editor:
Dan DiPrima
Supervising Sound Editor:
Andrew DeCristofaro
Swing:
Tony Guastella
Tailor:
Gerardo Rosette
Transportation Captain:
Krister C. Johnson
Transportation Co-Captain:
John Simanovich
Transportation Coordinator:
James Lowder
Unit Production Manager:
Udi Nedivi
Unit Publicist:
Cid Swank
Video Assist Operator:
Scott Crabbe
Visual Effects Coordinator:
James D. Tittle
Visual Effects Supervisor:
David Jones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.