Home

Underworld (2003) [R|NR]

Release Date:
September 19, 2003

Original Title:
Underworld

Alternate Titles:
Drugoy mir
Inshyy svit
Podzemen svyat
Podzemni svet
Underworld
Underworld 1
妖夜尋狼 1
決戰異世界

Genres:
Action | Fantasy | Thriller

Production Companies:
Lakeshore Entertainment
Screen Gems

Production Countries:
United States of America

Ratings / Certifications:
AU: MA15+  BR: 16  CA: 14A  CH: 18  CZ: 12+  DE: 18  DK: 15  ES: 18  FI: K-16  FR: 12  GB: 15  GR: 18  HU: 16  IE: 15  KR: 18  MX: B-15  NL: 16  NO: 15  PT: M/16  RU: 16+  SE: 15  UA: R  US: R|NR 

Runtime: 122

An immortal battle for supremacy.

Overview from TheMovieDB

Vampires and werewolves have waged a nocturnal war against each other for centuries. But all bets are off when a female vampire warrior named Selene, who's famous for her strength and werewolf-hunting prowess, becomes smitten with a peace-loving male werewolf, Michael, who wants to end the war.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

3D Supervisor:
Eric Jennings

ADR Mixer:
Michael Miller

ADR Recordist:
Colin Cooper

Additional Editing:
Nigel Galt

Administrative Assistant:
Ágnes Berecz

Armorer:
Jon Baker

Art Department Coordinator:
Gergö Balika

Art Direction:
Csaba Stork

Assistant Accountant:
Kinga Kovacs

Assistant Camera:
Péter Bartos

Assistant Chief Lighting Technician:
Péter Sidló

Assistant Director:
Mark Egerton

Assistant Production Coordinator:
Beatrix Szombati

Assistant Property Master:
Attila Kiss

Assistant Unit Manager:
Iván Erõs

Associate Producer:
Danny McBride
Kevin Grevioux

Base Camp Operator:
Zoltán Seres

Boom Operator:
Pál Szûrös

CG Animator:
Frank Dürschinger

Camera Operator:
Gábor Forgács

Carpenter:
Csaba Vásári

Casting:
Celestia Fox
Deborah Aquila
Tricia Wood

Casting Assistant:
Alex Johnson

Casting Associate:
Jennifer L. Smith

Catering:
Judit Csepregi

Chief Lighting Technician:
Tommy Finch

Colorist:
Jet Omoshebi

Conceptual Design:
Sam Greenmun

Conceptual Illustrator:
Irene Angotti

Construction Coordinator:
Gyula Herjeczki

Contact Lens Technician:
Zsuzsanna Mile

Costume Design:
Wendy Partridge

Costume Supervisor:
Augusto Grassi

Creature Design:
Patrick Tatopoulos

Digital Compositor:
Matt Kasmir

Digital Compositors:
Julia Egerton

Digital Intermediate:
Zahida Bacchus

Director:
Len Wiseman

Director of Photography:
Tony Pierce-Roberts

Dolby Consultant:
Norbert Zich

Dolly Grip:
István Bese

Dresser:
Zsoka Hoka

Driver:
Zoltán Fohn

Editor:
Martin Hunter

Electrician:
Zoltán Halmágyi

Executive Producer:
Henry Winterstern
Robert Bernacchi
James McQuaide
Skip Williamson
Terry McKay

First Assistant Accountant:
Wannapa 'Gai' Sinthunawa

First Assistant Camera:
John Bailie

First Company Grip:
Darren Quinn

Foley Artist:
Joo Fürst

Foley Recordist:
Sören Blüthgen

Gaffer:
Tommy Finch

Graphic Designer:
Dean Tschetter

Hairstylist:
Gabriella Németh

Key Hair Stylist:
Giovanni Giuliano

Loader:
Attila Csabai

Location Manager:
Clive Miles

Makeup Artist:
Katalin Jakots

Makeup Effects:
Jesse D'Angelo

Music Editor:
Joanie Diener

Music Supervisor:
Danny Lohner

Original Music Composer:
Paul Haslinger

Post Production Assistant:
David Heinz

Post Production Coordinator:
Winnie Cheng

Post Production Supervisor:
Valerie Delahaye

Producer:
Gary Lucchesi
Tom Rosenberg
Richard S. Wright

Production Accountant:
Stephen Taylor
Andrew Shuford

Production Controller:
Alex Matcham

Production Coordinator:
Grant Grabowski

Production Design:
Patrick Tatopoulos
Bruton Jones

Production Manager:
György Sánta

Production Secretary:
Krisztina László

Production Supervisor:
Anja Stadelmann

Property Master:
János Czakó

Prosthetic Supervisor:
Iván Pohárnok

Pyrotechnician:
Attila Erczkovi

Screenplay:
Danny McBride

Script Supervisor:
Caroline Sax

Second Assistant Camera:
Tony Magaletta

Second Company Grip:
Zsigmond Molcsány

Second Second Assistant Director:
Tamás Vass

Second Unit:
Mark Egerton

Second Unit Director:
Brad Martin

Security:
Richard Szabó

Set Decoration:
Malcolm Stone

Set Designer:
Adrien Asztalos

Set Dressing Artist:
Zoltán Horváth

Set Medic:
Béla Vaszary

Sound Designer:
Claude Letessier
Pit Kuhlmann

Sound Editor:
Marcel Spisak

Sound Effects Editor:
Christof Ebhardt
Benedikt Just

Sound Mixer:
Nerses Gezalyan

Sound Recordist:
Sean Landeros

Special Effects Coordinator:
Kinga Baranyai

Special Effects Supervisor:
Nick Allder

Special Effects Technician:
Garry Cooper

Standby Painter:
Lajos E. Szabó

Steadicam Operator:
Stuart Howell

Still Photographer:
Egon Endrényi

Story:
Danny McBride
Kevin Grevioux
Len Wiseman

Storyboard Artist:
Collin Grant
Lajos Farkas

Stunt Coordinator:
Brad Martin

Stunt Double:
Nicole Randall

Stunts:
Ferenc Berecz
Levente Lezsák
Katona Péter
Kasi Béla
Eva Mayer

Supervising Art Director:
Kevin Phipps

Swing:
Károly Gerlei

Thanks:
Robert L. Benun

Third Assistant Director:
Lucy Egerton

Transportation Captain:
Ferenc Béres

Underwater Camera:
Ralph Flores Jr.

Unit Production Manager:
Richard S. Wright
Kornél Sipos

Unit Publicist:
Moira Houlihan

Utility Stunts:
Craig Appel

VFX Director of Photography:
Christopher Warren

Video Assist Operator:
Gábor Kasza

Visual Effects:
Chad Dombrova

Visual Effects Coordinator:
Gary E. Beach

Visual Effects Editor:
Robert James Ashe
Marcus Alexander

Visual Effects Producer:
Leslie Huntley

Visual Effects Supervisor:
Robert Duncan

Wardrobe Master:
György Homonnay

Wigmaker:
Justin Ditter

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.