A work in constant progress (and occasional regress).
Release Date:
November 10, 2000
Original Title:
Red Planet
Alternate Titles:
Chervenata planeta
Chervona planeta
Crvena planeta
Krasnaya planeta
Kókkinos Planítis
Planeta rojo
Red Planet (2000)
Red planet - punainen planeetta
勇闯火星
宇宙深慌
Genres:
Action | Science Fiction | Thriller
Production Companies:
Mars Production Pty. Ltd.
NPV Entertainment
The Canton Company
Village Roadshow Pictures
Warner Bros. Pictures
Production Countries:
Australia | United States of America
Ratings / Certifications:
AU: M BE: 16 CZ: 12+ DE: 12 ES: 7 FR: U GB: 12 GR: 13 HU: 12 IE: 12 IT: T NL: 12 PL: 12 RU: 12+ SE: 11 US: PG-13
Runtime: 106
Astronauts search for solutions to save a dying Earth by searching on Mars, only to have the mission go terribly awry.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Supervisor:
Mark Kochinski
ADR Mixer:
Thomas J. O'Connell
Additional Casting:
Rutie Blum
Additional Grip:
Illya Smith
Additional Visual Effects:
Lynne Cartwright
Animation Supervisor:
Steve Markowski
Art Department Assistant:
Steve Riera
Art Direction:
Hugh Bateup
Catherine Mansill
Assistant Accountant:
Patrick Plummer
Assistant Camera:
Jean-Yves Le Poulain
Assistant Chief Lighting Technician:
Matt Buchan
Assistant Costume Designer:
Jeanne DuPont
Assistant Director:
Noni Roy
Assistant Editor:
Mark Bourgeois
Assistant Production Coordinator:
Jacqueline King
Assistant Unit Manager:
Simon Lucas
Associate Producer:
Stephen Jones
Best Boy Grip:
Ian Bird
Boom Operator:
Rod Conder
CG Artist:
Christian Hatfield
CG Supervisor:
Mike Hardison
Kelly Port
Camera Operator:
Mitchell Amundsen
Casting:
Lora Kennedy
Casting Assistant:
Jake Richter
Chief Lighting Technician:
Peter Bushby
Color Timer:
David Orr
Compositing Supervisor:
Feliciano di Giorgio
Compositors:
Rachel Wyn Dunn
Conceptual Design:
Constantine Sekeris
Construction Coordinator:
John Pickering
Costume Assistant:
Clare Howie
Costume Design:
Kym Barrett
Costume Illustrator:
Lois DeArmond
Costume Supervisor:
John Casey
Digital Compositors:
Kenneth Au
Digital Effects Supervisor:
Jerry Weil
Digital Producer:
Suzanne Lowe
Director:
Antony Hoffman
Director of Photography:
Peter Suschitzky
Dolly Grip:
Aron Walker
Greg Tuohy
Steve Harding
Editor:
Robert K. Lambert
Dallas Puett
Electrician:
Tom Stanger
Executive In Charge Of Post Production:
Daniel R. Chavez
Executive In Charge Of Production:
Bill Draper
Executive Producer:
Andrew Mason
Chuck Pfarrer
Charles J.D. Schlissel
Extras Casting:
Vicky Roper
First Assistant "A" Camera:
Katrina Crook
First Assistant "B" Camera:
Jem Rayner
First Assistant Accountant:
Mandy Butler
First Assistant Camera:
Richard Bradshaw
First Assistant Director:
Colin Fletcher
First Assistant Sound Editor:
Nancy Barker
Foley:
Thom Brennan
Foley Artist:
Alyson Dee Moore
Foley Mixer:
Mary Jo Lang
Foley Recordist:
Carolyn Tapp
General Manager:
Ray Scalice
Grip:
Ray Brown
Hairdresser:
Vera Mitchell
Hairstylist:
Erica Wells
Head of Production:
John Follmer
Key Costumer:
Brenda Donoho
Lead Animator:
Constance Bracewell
Loader:
Jay Torta
Location Manager:
Dick Beckett
Machinist:
Scott Oshita
Makeup Artist:
Paul Engelen
Music Consultant:
Jeffrey Pollack
Music Editor:
Ashley Revell
Music Programmer:
Paul Haslinger
Negative Cutter:
Mo Henry
Orchestrator:
Tim Simonec
Original Music Composer:
Graeme Revell
Painter:
David Monzingo
Post Production Supervisor:
Debbi Bossi
Producer:
Bruce Berman
Mark Canton
Jorge Saralegui
Production Accountant:
Gary Jones
Production Assistant:
Abbie Mawhinney
Production Coordinator:
Lorelle Adamson
Production Design:
Owen Paterson
Production Executive:
Michael Taylor
Production Illustrator:
David Russell
Production Manager:
Vicki Popplewell
Production Runner:
Cian O'Clery
Production Secretary:
Jo Pinter
Production Sound Mixer:
Paul 'Salty' Brincat
Props:
Fletcher Moules
Rigging Gaffer:
Gary Hill
Rigging Grip:
Andy Rennie
Roto Supervisor:
Erin M. Cullen
Rotoscoping Artist:
Etienne Andlau
Scenic Artist:
Peta Black
Scoring Mixer:
Wolfgang Amadeus
Screenplay:
Chuck Pfarrer
Jonathan Lemkin
Script Supervisor:
Sophie Fabbri-Jackson
Sculptor:
Gavin Jones
Second Unit Director:
Graeme Burfoot
Second Unit Director of Photography:
Geoffrey Wharton
Security Coordinator:
Laura Sivis
Set Decoration:
Brian Dusting
Set Designer:
Fiona Donovan
Set Painter:
Liz van den Berg
Sound Designer:
Dane A. Davis
Sound Editor:
Eric Cameron Hosmer
Sound Effects Designer:
Andrew Lackey
Richard Adrian
Sound Effects Editor:
Eric Lindemann
Jeremy Peirson
Sound Recordist:
Chad Algarin
Special Effects Assistant:
Adam Khamis
Special Effects Coordinator:
Tom Davies
Special Effects Supervisor:
Rodney Burke
Special Effects Technician:
Dave Barkovitz
Standby Carpenter:
Brad Diebert
Steadicam Operator:
Harry Panagiotidis
Randy Nolen
Pete Cavaciuti
Still Photographer:
Jasin Boland
Storyboard Artist:
Timothy Burgard
Stunt Coordinator:
Guy Norris
Stunt Double:
Annette van Moorsel
Stunts:
Damian Bradford
Supervising ADR Editor:
Joe Dorn
Supervising Dialogue Editor:
Stephanie Flack
Supervising Sound Editor:
Dane A. Davis
Julia Evershade
Systems Administrators & Support:
Ben Farris
Textile Artist:
Niamh Murphy
Third Assistant Director:
Giovanni Pacialeo
Transportation Captain:
Dave Heazlewood
Transportation Coordinator:
John Suhr
Unit Manager:
Paul Messer
Unit Production Manager:
Stephen Jones
Unit Publicist:
Fiona Searson
Utility Stunts:
Brett Praed
Visual Effects:
Tony Anderson
Visual Effects Coordinator:
Jack Geist
Visual Effects Editor:
Gus Duron
Visual Effects Producer:
Thomas Boland
Visual Effects Production Manager:
Kelly L'Estrange
Visual Effects Supervisor:
Cosmas Paul Bolger Jr.
Visual Effects Technical Director:
Ramprasad Sampath
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.