A work in constant progress (and occasional regress).
Release Date:
February 27, 2025
Original Title:
In the Lost Lands
Alternate Titles:
A Kárhozott Vidék
Dans les contrées perdues
In the Lost Lands
Prarastose žemėse
Tierras perdidas
Čarodejnica a lovec
В потерянных землях
في الأراضي المفقودة
在失落之地
魔域女巫
Genres:
Action | Adventure | Fantasy
Production Companies:
Constantin Film
Spark Productions
Production Countries:
Germany | Switzerland
Ratings / Certifications:
AU: M BR: 16 CH: 16 CL: 14 CZ: 12+ DE: 16 ES: 16 FR: 12 GB: 15 GR: K18 HK: IIB ID: 17+ IE: 15A IL: 14 LT: N-16 MO: C MX: B-15 NZ: M PR: R RU: 18+ SG: NC16 SK: 15 TR: 16+ UA: 16+ US: R ZA: 16
Runtime: 102
A queen sends the powerful and feared sorceress Gray Alys to the ghostly wilderness of the Lost Lands in search of a magical power, where she and her guide, the drifter Boyce, must outwit and outfight both man and demon.
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Art Direction:
Michael Derrah
Casting:
Karolina Kosiba
Costume Designer:
Milena Jaroszek
Director:
Paul W. S. Anderson
Director of Photography:
Glen MacPherson
Editor:
Niven Howie
Executive Producer:
Nico Bruinsma
Kirk D'Amico
Kevin D. Forester
Martin Moszkowicz
Fight Choreographer:
Sébastien Peres
Foley Artist:
Max Bauer
Line Producer:
Udo Happel
Krzysztof Solek
Tim Greve
Makeup Department Head:
Klaudyna Góralska
Original Music Composer:
Paul Haslinger
Producer:
Constantin Werner
Jeremy Bolt
Jonathan Meisner
Paul W. S. Anderson
Milla Jovovich
Dave Bautista
Production Coordinator:
Agnieszka Zajączkowska
Paulina Najmiec
Production Design:
Łukasz Trzciński
Production Manager:
Alexander Wojtanowski
Screenplay:
Constantin Werner
Screenstory:
Constantin Werner
Paul W. S. Anderson
Short Story:
George R. R. Martin
Sound Designer:
Achim Hofmann
Still Photographer:
Krzysztof Wiktor
Story:
Paul W. S. Anderson
Stunt Coordinator:
Damian Majowicz
Marek Sołek
Stunt Double:
Michał Kostrzewski
Aurélia Agel
Janine Theisen
Rob de Groot
Stunts:
Michał Kostrzewski
Title Designer:
Matt Curtis
Visual Effects Producer:
Marek Walczyk
Ryan MacDuff
Visual Effects Supervisor:
Dennis Berardi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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