Tom Poole

Birthplace:
London, England, UK

Tom Poole is the Chief Creative Officer and Senior Colorist at Company 3. He was born in London, England, where he began his career, before moving to the States in 2004. He joined Company 3 in 2007.  Description above from the Wikipedia article Tom Poole (colorist), licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Color Grading:
2020  The Last Thing He Wanted

Colorist:
2012  Compliance
2014  The Longest Week
2015  The Girl Is in Trouble
2018  BlacKkKlansman
2018  I Think We're Alone Now
2018  On Chesil Beach
2019  Skin
2020  Jungleland
2020  The Last Thing He Wanted
2021  Blue Bayou
2021  Malcolm & Marie
2023  Leave the World Behind
2024  Julie Keeps Quiet
2024  MaXXXine
2025  Eleanor the Great
2025  Rosemead
????  Death of Robin Hood

Digital Intermediate Colorist:
2012  Compliance
2014  Let's Be Cops
2014  The Longest Week
2015  The Girl Is in Trouble
2018  12 Strong
2018  BlacKkKlansman
2018  I Think We're Alone Now
2018  On Chesil Beach
2019  21 Bridges
2019  Skin
2020  Jungleland
2020  The Invisible Man
2020  The Last Thing He Wanted
2021  Blue Bayou
2021  Malcolm & Marie
2023  Leave the World Behind
2024  Julie Keeps Quiet
2024  MaXXXine
2025  Eleanor the Great
2025  Rosemead
????  Death of Robin Hood

Other:
2012  Compliance
2014  Let's Be Cops
2014  The Longest Week
2015  The Girl Is in Trouble
2018  12 Strong
2018  BlacKkKlansman
2018  I Think We're Alone Now
2018  On Chesil Beach
2019  21 Bridges
2019  Skin
2020  Jungleland
2020  The Invisible Man
2020  The Last Thing He Wanted
2021  Blue Bayou
2021  Malcolm & Marie
2023  Leave the World Behind
2024  Julie Keeps Quiet
2024  MaXXXine
2025  Eleanor the Great
2025  Rosemead
2025  Thunderbolts*
????  Death of Robin Hood

Senior Colorist:
2012  Compliance
2014  Let's Be Cops
2014  The Longest Week
2015  Black Mass
2015  The Girl Is in Trouble
2016  Assassin's Creed
2018  12 Strong
2018  BlacKkKlansman
2018  Halloween
2018  I Think We're Alone Now
2018  On Chesil Beach
2019  21 Bridges
2019  Captive State
2019  Skin
2020  Jungleland
2020  The Invisible Man
2020  The Last Thing He Wanted
2021  Blue Bayou
2021  Halloween Kills
2021  Judas and the Black Messiah
2021  Malcolm & Marie
2021  What Josiah Saw
2023  Dumb Money
2023  Leave the World Behind
2023  The Good Mother
2024  Carry-On
2024  Julie Keeps Quiet
2024  MaXXXine
2025  Eleanor the Great
2025  Rosemead
2025  Thunderbolts*
????  Death of Robin Hood

Other:
2022  Severance

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.