I Think We're Alone Now (2018) [R]

Release Date:
September 14, 2018

Original Title:
I Think We're Alone Now

Alternate Titles:
Agora Estamos Sozinhos
Agora estamos sozinhos
Ahora estamos solos
Seuls sur Terre
¿Estamos Solos?
Кажется, мы остались одни

Genres:
Drama | Mystery | Science Fiction

Production Companies:
Automatik Entertainment
Estuary Films
Exhibit Entertainment
Ferrotame Films Limited
IM Global
Lonely Child Productions
Opposite Field Pictures

Production Countries:
United States of America

Ratings / Certifications:
BR: 16  DK: 15  JP: G  PT: M/16  US: R 

Runtime: 100

In the end… Chaos will find you

After a catastrophe destroys most of humanity, recluse Del lives in his small, empty town, content with the utopia he has methodically created for himself, until an interloper, young Grace, disrupts his solitude.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Michael Heathcote

Accountant:
Melissa Kimbler

Additional Grip:
Ryan Dunne

Additional Sound Re-Recording Mixer:
Daniel Timmons

Animal Wrangler:
Shirley Mayahara

Armorer:
Sam Glen

Art Department Production Assistant:
Nathan Muka

Art Direction:
Gonzalo Cordoba

Assistant Accountant:
Courtney L. Newsome

Assistant Costume Designer:
Rachel Jones Bellas

Assistant Editor:
Alex Pirrone

Assistant Location Manager:
Nicholas Moore

Assistant Property Master:
Lindsay Stephen

Assistant Sound Editor:
Jonathan Fuhrer

Associate Producer:
Dani Girdwood

Attorney:
Christina Bulbrook

Best Boy Electric:
Billy Moore

Best Boy Grip:
Brian O'Neill

Boom Operator:
Gioia Birkett-Foa

Catering Head Chef:
David Dreishpoon

Charge Scenic Artist:
Janet Cleaveland

Clearances Coordinator:
Heather Luscombe

Co-Producer:
Ged Dickersin

Color Assistant:
Josh Spector

Colorist:
Tom Poole

Compositor:
Bashir Hamid
Irene Park

Costume Designer:
Mirren Gordon-Crozier

Costume Supervisor:
Gaddiel Lopez

Dialogue Editor:
Allan Zaleski

Digital Conform Editor:
Gina Kalim

Digital Imaging Technician:
J. Eric Camp

Director:
Reed Morano

Director of Photography:
Reed Morano

Dolly Grip:
Tommy White

Driver:
William Stokley
Brendan O'Byrne

Editor:
Madeleine Gavin

Executive Producer:
João Prado
Felipe Prado
David Ginsberg

Finishing Producer:
Philippe Majdalani

First Assistant "A" Camera:
Tim Metivier

First Assistant "B" Camera:
Pat Sokley
Chris Mueller

First Assistant Director:
Matt McLootta

First Assistant Editor:
K. Falcon Williams

Foley Mixer:
Ryan Collison
Nick Seaman

Foley Recordist:
Leslie Bloome
Joanna Fang

Gaffer:
Jason Velez

Generator Operator:
Alexander Wilson

Hair Department Head:
Jennifer Serio

Head of Production:
Margaret Lewis

Key Grip:
Tommy Kerwick Jr.

Key Set Production Assistant:
Mike Collins

Leadman:
Peter Scheck

Lighting Technician:
Diego Quirdumbay

Location Manager:
Ana Cuadra

Location Production Assistant:
Santos Cornier

Location Scout:
Rolando Hudson

Makeup Department Head:
Christine Hooghuis

Mixing Engineer:
Tony Volante

Music Supervisor:
Meghan Currier
Randall Poster

On Set Dresser:
Dylan Pettengill

Original Music Composer:
Adam Taylor

Post Production Accountant:
Samantha Cheah

Post Production Supervisor:
Jonathan Ferrantelli

Producer:
Fernando Loureiro
Mike Makowsky
Brian Kavanaugh-Jones
Roberto Vasconcellos
Fred Berger
Peter Dinklage

Producer's Assistant:
Molly Stone

Production Coordinator:
Jeremiah Cullen

Production Design:
Kelly McGehee

Production Secretary:
Jen Gray

Production Supervisor:
Amanda Messenger

Property Master:
Roland Trafton

Script Supervisor:
Alexandra Torterotot

Seamstress:
Laura Vansickle

Second Assistant "A" Camera:
Conny Klapper

Second Assistant "B" Camera:
Carrie Wills

Second Assistant Director:
Jake Brown

Second Second Assistant Director:
Mara Tuleutayeva

Set Decoration:
Graham Wichman

Set Dresser:
Ara Darakjian

Set Dressing Production Assistant:
Jared Thomas

Set Production Assistant:
Quinn Dooley
Dylan Samson
George Cuomo
Caitlyn Porto

Sound Effects Editor:
Daniel Timmons

Sound Engineer:
Joel Scheuneman

Sound Mixer:
Anton Gold

Sound Re-Recording Mixer:
Tony Volante

Special Effects Coordinator:
Holbrook Hays

Special Effects Supervisor:
Johann Kunz

Special Effects Technician:
Edward Drohan
Eugene Hitt
Frank Oliva

Stand In:
Joshua Morris
Diana Lotus

Steadicam Operator:
Michael Heathcote

Still Photographer:
Beka Venezia

Stunt Coordinator:
Chris Barnes

Stunt Driver:
Andre DeSilva

Supervising Sound Editor:
Tony Volante

Thanks:
Liz Lash
Glenn Kiser
Amy McGee-Harrell
Alexandra Loewy
Marla Aaron Wapner
Matt Rosen
Jeff Silver
Rian Cahill
Mira Yong
Hanley Baxter
Brittany Kahan
Olivia Wilde
Grant Rosenmeyer
Rob Herting
Susan Solomon-Shapiro
Jonathan Gardner

Transportation Captain:
Telly Davis

Unit Production Manager:
Ged Dickersin

Utility Stunts:
Riley Barnes

Visual Effects Editor:
Perri B. Frank

Visual Effects Producer:
Parker Chehak

Visual Effects Supervisor:
Lesley Robson-Foster

Writer:
Mike Makowsky

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.