A work in constant progress (and occasional regress).
Release Date:
February 26, 2020
Original Title:
The Invisible Man
Alternate Titles:
Bilti Nir'eh
El hombre invisible
Görünməz Adam
Invisible Man
L'homme invisible
Ο ΑΟΡΑΤΟΣ ΑΝΘΡΩΠΟΣ - The Invisible Man
האיש הבלתי נראה
มนุษย์ล่องหน
透明人間:2020
Genres:
Horror | Science Fiction | Thriller
Production Companies:
Blumhouse Productions
Goalpost Pictures
Nervous Tick Productions
Universal Pictures
Production Countries:
Australia | United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CZ: 18+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: 12 GB: 15|18 GR: Κ-15 HK: IIB HU: 16 IE: 16 IL: 16 IT: VM14 KR: 15 LT: N-16 MX: B-15 NL: 12 PL: 18 PT: M/16 RO: 15 RU: 18+ SE: 15 SG: M18 SK: 15 TR: 16+ TW: 輔15級 UA: 16+ US: R
Runtime: 124
When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
ADR Editor:
David V. Butler
ADR Supervisor:
Ryan Cole
ADR Voice Casting:
Susan Boyajian
Additional Editor:
Ahmad Halimi
Additional Second Assistant Director:
Jane Griffin
Aerial Camera:
Thomas C. Miller
Animation:
Marisa Martin
Art Direction:
Alice Lanagan
Assistant Editor:
Kali Kasashima
Boom Operator:
Shanti Burn
Ruth Vance
CG Supervisor:
Matt Ebb
Camera Operator:
Brett Hurd
Ryan Owen Eddleston
Casting:
Sarah Domeier Lindo
Terri Taylor
Nikki Barrett
Casting Assistant:
Claudia Allison
Kelly Graham
Lilly Tyson
Casting Associate:
Ally Conover
Co-Producer:
Jennifer Scudder Trent
Compositing Supervisor:
Niki Bern
Construction Coordinator:
David Murphy
Greg Hajdu
Costume Design:
Emily Seresin
Costume Supervisor:
Elly Kamal
Digital Imaging Technician:
Christopher Reig
Digital Intermediate:
Megan Kaiser
Digital Intermediate Colorist:
Tom Poole
Director:
Leigh Whannell
Director of Photography:
Stefan Duscio
Drone Pilot:
Michael Izquierdo
Editor:
Andy Canny
Electrician:
Scott Youlden
Executive Producer:
Rosemary Blight
Ben Grant
Beatriz Sequeira
Jeanette Volturno
Leigh Whannell
Extras Casting:
Josh Dean Williams
First Assistant "B" Camera:
Sally Eccleston
First Assistant Camera:
Jani Häkli
First Assistant Director:
Deborah Antoniou
Foley Artist:
Leslie Bloome
Joanna Fang
Foley Editor:
Laura Heinzinger
Nick Seaman
Foley Mixer:
Ryan Collison
Connor Nagy
Gaffer:
Matthew Hoile
Mark Holownia
Hair Designer:
Angela Conte
Line Producer:
Megan Wynn
Daniel Bekerman
Makeup & Hair:
Catherine Scoble
Micheline Siou
Music Editor:
Brett Pierce
Novel:
H.G. Wells
Online Editor:
Matteo Saradini
Original Music Composer:
Benjamin Wallfisch
Producer:
Jason Blum
Kylie du Fresne
Production Accountant:
Vess Stoeva
James Bramley
Production Coordinator:
Tara Jade Borg
Jordan Delic
Production Design:
Alex Holmes
Production Executive:
Liam Heyen
Production Supervisor:
Jane Forrest
Property Master:
Joanna Pullen
Prosthetic Makeup Artist:
Edward Yates
Screenplay:
Leigh Whannell
Script Supervisor:
Aria Harrison
Daniela Saioni
Second Assistant Director:
Killian Maguire
Set Decoration:
Katie Sharrock
Set Designer:
Prue Parsons
Set Dresser:
Lauren Miller
Sound Designer:
Chris Terhune
P.K. Hooker
Sound Effects Editor:
Christopher Bonis
Goeun Lee Everett
Andrew Twite
Matt Yocum
Sound Re-Recording Mixer:
Will Files
Special Effects Supervisor:
Dan Oliver
Special Effects Technician:
Daniel Carlisle
Tristan Fitzgerald
Steadicam Operator:
Andrew 'A.J.' Johnson
Justin Besser
Still Photographer:
Mark Rogers
Story:
Leigh Whannell
Storyboard Artist:
Matt Hatton
Stunt Coordinator:
Harry Dakanalis
Stunts:
Alex Jewson
Annette van Moorsel
Mick Van Moorsel
Olga Miller
Supervising Sound Editor:
Will Files
P.K. Hooker
Swing:
Anna Herold Pola
Travel Coordinator:
Michael Stark
VFX Editor:
Drew Sacks
VFX Lighting Artist:
Erik Charlebois
Visual Effects Producer:
Melissa Brockman
Sarah Dicks
Jane Reynolds
Visual Effects Production Manager:
Andrew Smith
Visual Effects Supervisor:
Jonathan Dearing
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.