A work in constant progress (and occasional regress).
Release Date:
September 5, 2014
Original Title:
The Longest Week
Alternate Titles:
Liebe to go - Die längste Woche meines Lebens
Uma Semana a Três
השבוע הארוך ביותר
ザ・ロンゲスト・ウイーク/The Longest Week
Genres:
Comedy | Drama
Production Companies:
Armian Pictures
Atlantic Pictures
Far Hills Pictures
Voltage Pictures
Yash Raj Films
Production Countries:
India | United States of America
Ratings / Certifications:
BR: 14 CA: 14A GB: 15 MX: B-15 SE: 15 US: PG-13
Runtime: 86
Left broke and homeless by his wealthy parents' divorce, a young man moves in with an old friend and finally meets the woman of his dreams -- only to discover she's already dating his friend.
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ADR Editor:
Julia Shirar
Jac Rubenstein
Additional Editor:
Jamie Kirkpatrick
Art Department Coordinator:
Talia Mendillo
Assistant Art Director:
Cherie Kroll
Assistant Editor:
Zachary A. Schwartz
Assistant Production Coordinator:
Molly Shifferly
Assistant Sound Editor:
Alex Soto
Wen-Hsuan Tseng
Best Boy Electric:
Samuel Herbig
Best Boy Grip:
Kenneth Fundus
Boom Operator:
Max Stein
Jansen Lambie
Camera Operator:
Ari Issler
Casting:
Jessica Kelly
Casting Director:
J.C. Cantu
Mary Vernieu
Colorist:
Tom Poole
John Bonta
Construction Coordinator:
Richard Hebrank
Costume Assistant:
Rachel Dainer-Best
Costume Designer:
Heidi Bivens
Dialogue Editor:
Julia Shirar
Jac Rubenstein
Director:
Peter Glanz
Director of Photography:
Ben Kutchins
Dolly Grip:
Chris Jones
Editor:
Sarah Flack
Electrician:
Blaise Miller
Mike Arisohn
Boris Cifuentes
Dan Luebke
Ryan Minelli
Dobb Schreiber
Executive Producer:
Taylor Materne
Stone Douglass
Chris Marsh
Jonathan Reiman
Extras Casting:
Ali Merhi
Brad Kenny
First Assistant Camera:
George Tur
First Assistant Director:
Chris Carroll
Foley Artist:
Shaun Brennan
Foley Editor:
Tom Ryan
Wen-Hsuan Tseng
Linzy Elliot
Foley Recordist:
Tom Ryan
Wen-Hsuan Tseng
Gaffer:
Derek Gross
Grip:
Kenith Bruzzo
Abe Altbuch
Erinne Lukoniec
Joaquin Padillo Miro
Hair Department Head:
Mia Neal
Key Grip:
Brent Poleski
Key Hair Stylist:
Dennis Bailey
Key Makeup Artist:
Nicole Wodowski
Leadman:
Lucien Charles
Line Producer:
Sirad Balducci
Location Manager:
Tom Sexton
Makeup & Hair:
Gina Leone
Stayc St. Onge
Makeup Department Head:
Ashley Fox
Original Music Composer:
Jay Israelson
Post Production Coordinator:
Alden McLellan
Producer:
Neda Armian
Uday Chopra
Production Accountant:
Eli Gurevich
Production Consultant:
Matthew Vose Campbell
Production Coordinator:
Lauren Heath
Production Design:
Rick Butler
Property Master:
Kris Major
Props:
Davide Biello
Screenplay:
Peter Glanz
Script Supervisor:
Andrea Ulrich
Second Assistant Camera:
Frank Larson
Second Assistant Director:
Eric LaFranchi
Set Decoration:
Amy Williams
Set Dresser:
Darren Sharkey
Set Medic:
Peter Meccio
Sound Effects Editor:
Alex Soto
Wen-Hsuan Tseng
Max Greene
Sound Mixer:
Jerry Stein
Sound Re-Recording Mixer:
Lewis Goldstein
Tom Ryan
Steadicam Operator:
Dave Isern
Still Photographer:
Bob Vergara
Story:
Peter Glanz
Juan Iglesias
Stunt Coordinator:
Manny Siverio
Stunt Double:
Robert Lee Harvey
Stunt Driver:
Roy Farfel
Supervising Sound Editor:
Lewis Goldstein
Transportation Captain:
Kevin Flynn
Transportation Co-Captain:
Peter Krienbihl
Visual Effects Supervisor:
Eran Dinur
Wardrobe Supervisor:
Jodi Baldwin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.