A work in constant progress (and occasional regress).
John Mangia is a Los Angeles-based Visual Effects Supervisor. He served as Additional VFX Supervisor for Marvel Studios on Ant-Man and the Wasp: Quantumania. Before that, he was the Overall VFX Supervisor for the Paramount+ limited series The Offer, supervising five vendors and nearly 800 VFX shots. His work on the series included the creation of highly detailed, full-CG environments, digital crowds, and vehicles to faithfully recreate 1970s New York City and the world of The Godfather. Mangia also served as Overall VFX Supervisor on the Emmy and Golden Globe-winning Netflix limited series The Queen’s Gambit, directed by Scott Frank and executive produced by Bill Horberg. His contributions included the visualisation of Beth Harmon’s chess hallucinations and the transformation of present-day Berlin into 1960s settings such as Paris, Moscow, Mexico City, and Kentucky. His additional credits include M. Night Shyamalan’s Old, Barry Jenkins’ If Beale Street Could Talk, Miles Joris-Peyrafitte’s Dreamland, and The Code from CBS Television Studios. In 2014, he was nominated for a Visual Effects Society Award for Outstanding Compositing in a Commercial for the Sony PlayStation spot Perfect Day. His portfolio also includes major studio features such as Men in Black 3, The Amazing Spider-Man, Green Lantern, and Darren Aronofsky’s Black Swan. He served as an independent VFX consultant on the Academy Award-nominated Beasts of the Southern Wild and has contributed to numerous television commercials and episodic series for networks including HBO, Cinemax, NBC, and Starz—frequently leading creative look development for complex sequences. Mangia holds a Master of Science in Digital Imaging and Design from New York University, with additional studies at Rochester Institute of Technology and Rider University. He has pursued specialized training in creature design at the Stan Winston School of Character Arts. In addition to his industry work, he has lectured on advanced visual effects and computer graphics topics at New York University and the New York Film Academy.
Compositing Artist:
2011 Green Lantern
2012 Beasts of the Southern Wild
2018 Zero
Compositing Supervisor:
2011 Green Lantern
2012 Beasts of the Southern Wild
2017 All Saints
2018 Zero
2019 Windows on the World
Digital Compositor:
2005 Manhater
2008 The Cookie Thief
2009 Did You Hear About the Morgans?
2009 Duplicity
2009 The Limits of Control
2010 Black Swan
2010 Brooklyn's Finest
2010 Five Minarets in New York
2010 Going the Distance
2010 Jack Goes Boating
2010 Remember Me
2010 Step Up 3D
2011 Green Lantern
2011 I Am Number Four
2011 The Adjustment Bureau
2011 Tower Heist
2012 Beasts of the Southern Wild
2012 Men in Black 3
2015 Run All Night
2015 The Longest Ride
2016 Hail, Caesar!
2017 All Saints
2018 Zero
2019 Windows on the World
VFX Supervisor:
2005 Manhater
2008 The Cookie Thief
2009 Did You Hear About the Morgans?
2009 Duplicity
2009 The Limits of Control
2010 Black Swan
2010 Brooklyn's Finest
2010 Five Minarets in New York
2010 Going the Distance
2010 Jack Goes Boating
2010 Remember Me
2010 Step Up 3D
2011 Green Lantern
2011 I Am Number Four
2011 The Adjustment Bureau
2011 Tower Heist
2012 Beasts of the Southern Wild
2012 Men in Black 3
2015 Run All Night
2015 The Longest Ride
2016 Hail, Caesar!
2017 All Saints
2018 Zero
2019 Windows on the World
2023 Ant-Man and the Wasp: Quantumania
Visual Effects Design Consultant:
2005 Manhater
2008 The Cookie Thief
2009 Did You Hear About the Morgans?
2009 Duplicity
2009 The Limits of Control
2010 Black Swan
2010 Brooklyn's Finest
2010 Five Minarets in New York
2010 Going the Distance
2010 Jack Goes Boating
2010 Remember Me
2010 Step Up 3D
2011 Green Lantern
2011 I Am Number Four
2011 The Adjustment Bureau
2011 Tower Heist
2012 Beasts of the Southern Wild
2012 Men in Black 3
2015 Run All Night
2015 The Longest Ride
2016 Hail, Caesar!
2017 All Saints
2018 12 Feet Deep
2018 Zero
2019 Windows on the World
2023 Ant-Man and the Wasp: Quantumania
Visual Effects Supervisor:
2005 Manhater
2008 The Cookie Thief
2009 Did You Hear About the Morgans?
2009 Duplicity
2009 The Limits of Control
2010 Black Swan
2010 Brooklyn's Finest
2010 Five Minarets in New York
2010 Going the Distance
2010 Jack Goes Boating
2010 Remember Me
2010 Step Up 3D
2011 Green Lantern
2011 I Am Number Four
2011 The Adjustment Bureau
2011 Tower Heist
2012 Beasts of the Southern Wild
2012 Men in Black 3
2015 Run All Night
2015 The Longest Ride
2016 Hail, Caesar!
2017 All Saints
2018 12 Feet Deep
2018 First Reformed
2018 If Beale Street Could Talk
2018 White Boy Rick
2018 Zero
2019 Dreamland
2019 Long Shot
2019 Windows on the World
2023 Ant-Man and the Wasp: Quantumania
2025 Shell
Compositing Artist:
2014 The Leftovers
Compositing Supervisor:
2014 The Leftovers
2015 Blindspot
2016 High Maintenance
2018 Sweetbitter
Digital Compositor:
2013 The Blacklist
2014 Power
2014 The Leftovers
2015 Blindspot
2015 Flesh and Bone
2015 Powers
2016 High Maintenance
2016 Outcast
2016 Vinyl
2018 Sweetbitter
Visual Effects Supervisor:
2013 The Blacklist
2014 Power
2014 The Leftovers
2015 Blindspot
2015 Flesh and Bone
2015 Powers
2016 Billions
2016 High Maintenance
2016 Outcast
2016 Vinyl
2018 Sweetbitter
2019 The Code
2020 The Queen's Gambit
2022 The Offer
2025 PULSE
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.