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Run All Night (2015) [R]

Release Date:
March 11, 2015

Original Title:
Run All Night

Alternate Titles:
Run All Night - Nacht der Rache
Une nuit pour survivre
run-all-night
Втеча у ніч
Нічний втікач
Усю ніч в бігах
รัน ออล ไนท์ คืนวิ่งทะลวงเดือด
一夜狂奔

Genres:
Action | Crime | Thriller

Production Companies:
Energy Entertainment
Ombra Films
RatPac Entertainment
Vertigo Entertainment
Warner Bros. Pictures

Production Countries:
Spain | United States of America

Ratings / Certifications:
AR: +16  AU: MA15+  BE: 18  BG: C  BR: 16  CA: 14A  CZ: 15+  DE: 16  DK: 15  ES: 18  FI: K-16  FR: 12|16  GB: 15  GR: 16  HK: IIB  HU: 16  IE: 15A  IL: 14  IT: VM14  JP: R15+  KR: 18  LT: N-16  MX: B-15  NL: 16  NO: 15  NZ: R16  PH: R-16  PL: 18  PT: M/16  RO: 15  RU: 18+  SG: NC16  SK: 15  TH: 15  US: R 

Runtime: 114

One night to live. To die. To run.

Overview from TheMovieDB

Brooklyn mobster and prolific hit man Jimmy Conlon has seen better days. Longtime best friend of a mob boss, Jimmy is haunted by the sins of his past—as well as a dogged police detective who’s been one step behind Jimmy for 30 years. But when Jimmy’s estranged son becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. Now, with nowhere safe to turn, Jimmy has just one night to figure out exactly where his loyalties lie and to see if he can finally make things right.

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Performers

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Production

Animation Supervisor:
Pimentel A. Raphael

Art Direction:
Deborah Jensen

Camera Operator:
George Peters
Thomas Lappin
William Klayer

Casting:
Cathy Sandrich Gelfond
Amanda Mackey

Compositor:
Michael Queen

Construction Coordinator:
Joseph A. Alfieri Jr.

Costume Design:
Catherine Marie Thomas

Dialogue Editor:
Jac Rubenstein

Director:
Jaume Collet-Serra

Director of Photography:
Martin Ruhe

Editor:
Dirk Westervelt

Executive Producer:
John Powers Middleton
Jaume Collet-Serra
Steven Mnuchin

First Assistant Editor:
Donna Madrigal

Foley:
Marko Costanzo

Gaffer:
Jason Velez

Hairstylist:
Alan D'Angerio
Liz Reilly

Helicopter Camera:
Brian Heller

Makeup Artist:
Marjorie Durand

Makeup Department Head:
Todd Kleitsch

Original Music Composer:
Tom Holkenborg

Producer:
Brooklyn Weaver
Roy Lee
Michael Tadross

Production Assistant:
Anthony Keating

Production Design:
Sharon Seymour

Property Master:
Max Sherwood

Prosthetics:
Gary Archer

Rigging Gaffer:
Bryan Dolan

Script Supervisor:
Eva Z. Cabrera

Second Assistant Director:
Justin Bischoff

Second Unit Director:
Doug Coleman

Set Costumer:
Taylor Smith
Alethea McElroy

Set Decoration:
Chryss Hionis

Sound Designer:
Dror Mohar
Lawrence Zipf

Sound Effects Editor:
Patrick Cicero
Wyatt Sprague

Sound Mixer:
Michael Barosky

Sound Re-Recording Mixer:
Paul Urmson

Sound Recordist:
Daniel Timmons

Special Effects Coordinator:
Jeff Brink

Steadicam Operator:
Alec Jarnagin

Still Photographer:
Myles Aronowitz

Stunt Coordinator:
Doug Coleman
Mark Vanselow

Stunt Double:
Henry Kingi Jr.

Stunt Driver:
Aja Frary
Jen Egan
Nitasha Bhambree
Whitney Coleman
Jalil Jay Lynch
Roy Farfel

Stunts:
Aaron Vexler
Peter Epstein
Nitasha Bhambree
Eliza Coleman
Jennifer Lamb
Stephanie Finochio
Jen Egan
Janet Paparazzo
George B. Colucci Jr.

Supervising ADR Editor:
Kenton Jakub

Supervising Dialogue Editor:
Gregg Swiatlowski

Supervising Sound Editor:
Dror Mohar

Visual Effects:
Chris Healer

Visual Effects Editor:
Pinar Comezoglu
Christian Madera

Visual Effects Producer:
Charlotta Forssman
Mitchell Ferm
Nicolas Delval
Wendy Garfinkle
Charlotte Raffi
Carlos Puchol

Visual Effects Supervisor:
Mitchell S. Drain
Olivier Cauwet
Luke DiTommaso
David Heras
Rémy Normand

Writer:
Brad Ingelsby

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.