A work in constant progress (and occasional regress).
Release Date:
November 27, 2019
Original Title:
Dreamland
Alternate Titles:
Hayaller Ülkesi
Країна мрій
Страна грёз
Genres:
Drama | Thriller
Production Companies:
Automatik Entertainment
LuckyChap Entertainment
Romulus Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BE: 16 ES: 18 GB: 15 IE: 15 JP: PG12 NL: 12 PT: M/12 TR: 16+ UA: 16+ US: R
Runtime: 98
Amid the dust storms and economic depression of Dust Bowl Era Oklahoma, Eugene Evans finds his family farm on the brink of foreclosure. Discovering fugitive bank robber Allison Wells hiding in his small town, he is torn between claiming the bounty on her head and his growing attraction to the seductive criminal.
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"B" Camera Operator:
Aileen Taylor
Art Department Production Assistant:
Jacob Blom
Emma Rentz
Art Direction:
Tommy Love
Assistant Editor:
Jacqueline Basse
Fred Brown II
Assistant Makeup Artist:
Madeline McCue
Assistant Property Master:
Aaron Aragon
Boom Operator:
Jason Patrick Collins
Steven Willer
CG Artist:
Nic Spier
Camera Loader:
Em Michelle Gonzales
Casting:
Jodi Angstreich
Laura Rosenthal
Casting Assistant:
Jade Rice
Casting Associate:
Jennifer Schwalenberg
Construction Coordinator:
Carl Zeller
Costume Design:
Rachel Dainer-Best
Costume Supervisor:
Solange Astrid Guerrero
Digital Compositor:
Blake Goedde
Greg Wadsworth
Young-Min KIm
Director:
Miles Joris-Peyrafitte
Director of Photography:
Lyle Vincent
Editor:
Abbi Jutkowitz
Executive Music Producer:
Tim Hegarty
Executive Producer:
David Gendron
Will Greenfield
Kweku Mandela
Bradley Pilz
Imran Siddiq
Fred Berger
Ali Jazayeri
Executive Visual Effects Producer:
Jason Sanford
Extras Casting:
Elizabeth Gabel
Finance:
Katherine Imp
First Assistant "B" Camera:
Liza Bambenek
First Assistant Accountant:
Brandon Lewis
First Assistant Director:
Jacques Terblanche
Gaffer:
Waylon Brady
Hair Department Head:
Melissa Yonkey
Hairstylist:
K-Bobby
Key Costumer:
Arielle Cooper-Lethem
Nicki Stewart
Key Grip:
Dwight Dollins
Local Casting:
Angelique Midthunder
Location Manager:
Ashley A. Valdez
Location Production Assistant:
Chad Boardsen
Makeup Artist:
Mindi Coats
Makeup Department Head:
Karla Muenze
Music Editor:
Jordan L. Ross
Original Music Composer:
Patrick Higgins
Post Production Supervisor:
Jonathan Ferrantelli
Producer:
Margot Robbie
Tom Ackerley
Rian Cahill
Brad Feinstein
Brian Kavanaugh-Jones
Josey McNamara
Production Assistant:
Shawn C. Smith
Production Design:
Meredith Lippincott
Production Sound Mixer:
Edwardo Santiago
Property Master:
Chelsey Danielsen
Script Supervisor:
Jennifer Josephson
Seamstress:
Pilar Agoyo
Second Assistant "A" Camera:
Jason Seigel
Second Assistant "B" Camera:
Artu Arin
Second Assistant Director:
Aaron Moskal
Second Second Assistant Director:
Hailey Oltman
Second Unit Director:
Mark Rayner
Second Unit Director of Photography:
Jeurgen Heinemann
Set Decoration:
Susan Magestro
Set Designer:
Brooke Peters
Set Dresser:
Clayton Salberg
Set Painter:
Curtis Wade
Steadicam Operator:
Scott Dropkin
Still Photographer:
Ursula Coyote
Stunt Coordinator:
Mark Rayner
Stunt Double:
Matthew Lee Christmas
Christopher Donaldson
Jessie Springer
Stunts:
Al Goto
Lucas Leggio
Transportation Captain:
Jay E. Vigil
Transportation Co-Captain:
Mike McKenny
Transportation Coordinator:
Jade Peterson
Unit Production Manager:
Emily Kacere
Utility Sound:
Jordan Bodhaine
Video Assist Operator:
Scott Wetzel
Visual Effects Coordinator:
Fabienne DeMars
Visual Effects Producer:
Sara Tremblay
Adam Pere
Visual Effects Supervisor:
Joshua D. Stevens
Chris LeDoux
Writer:
Nicolaas Zwart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.