A work in constant progress (and occasional regress).
Additional Still Photographer:
2009 Where the Wild Things Are
Clapper Loader:
2001 Code Red: The Rubicon Conspiracy
2001 Curse of the Talisman
2003 George of the Jungle 2
2005 House of Wax
2009 Where the Wild Things Are
Second Assistant "B" Camera:
2001 Code Red: The Rubicon Conspiracy
2001 Curse of the Talisman
2003 George of the Jungle 2
2003 Ned Kelly
2005 House of Wax
2009 Where the Wild Things Are
Second Assistant Camera:
2001 Code Red: The Rubicon Conspiracy
2001 Curse of the Talisman
2002 Ghost Ship
2003 George of the Jungle 2
2003 Ned Kelly
2004 Anacondas: The Hunt for the Blood Orchid
2005 House of Wax
2009 Where the Wild Things Are
Still Photographer:
2001 Code Red: The Rubicon Conspiracy
2001 Curse of the Talisman
2002 Ghost Ship
2003 George of the Jungle 2
2003 Ned Kelly
2004 Anacondas: The Hunt for the Blood Orchid
2005 House of Wax
2009 Where the Wild Things Are
2010 South Solitary
2011 Snowtown
2013 The Turning
2014 I, Frankenstein
2014 Predestination
2014 The Mule
2015 Now Add Honey
2015 Partisan
2016 Nowhere Boys: The Book of Shadows
2016 Restoration
2018 Hannah Gadsby: Nanette
2018 Ladies in Black
2019 Angel of Mine
2019 Judy & Punch
2019 Little Monsters
2019 True History of the Kelly Gang
2020 Miss Fisher and the Crypt of Tears
2022 Carbon: The Unauthorised Biography
Still Photographer:
2015 The Divorce
2016 The Kettering Incident
2016 Tomorrow When the War Began
2017 Seven Types of Ambiguity
2017 Sunshine
2018 Romper Stomper
2019 Secret Bridesmaids' Business
2020 Stateless
2021 Fires
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.