A work in constant progress (and occasional regress).
Release Date:
November 23, 2019
Original Title:
True History of the Kelly Gang
Alternate Titles:
La verdadera historia de la Banda de Kelly
Le Gang Kelly
Outlaws
Outlaws - Die wahre Geschichte der Kelly Gang
The true History of the Kelly Gang
穿著裙子的凱利黑幫
켈리 갱의 진실
Genres:
Crime | Drama | Thriller | Western
Production Companies:
Daybreak Pictures
Film Victoria
Film4 Productions
La Cinéfacture
Porchlight Films
Romulus Films
Screen Australia
Production Countries:
Australia | France | United Kingdom
Ratings / Certifications:
AU: MA15+ CH: 16 DE: 16 ES: 16 FI: K-16 GB: 18 GR: Κ-18 IE: 18 JP: R18+ KR: 15 LT: N-16 NL: 16 PL: 16 PT: M/16 RU: 18+ US: R
Runtime: 124
Set against the badlands of Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels — an uncompromising army of cross dressing bandits immortalised for terrorising their oppressors back in Ireland. Fuelled by the unfair arrest of his mother, Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.
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Armorer:
Scott Warwick
Art Department Coordinator:
Alice Gridley
Juliet John
Art Direction:
Janie Parker
Assistant Editor:
John Erasmus
Associate Producer:
Thomas Hawkins
Sylvia Warmer
Best Boy Electric:
Shylo Tui
Best Boy Grip:
John Regan
Casting:
Nikki Barrett
Des Hamilton
Elan Jones
Casting Associate:
Natalie Wall
Concept Artist:
Annette Mackie
Construction Foreman:
Shaun Vancw
Construction Manager:
Grant Slotboom
Costume Designer:
Alice Babidge
Costume Supervisor:
Elly Kamal
Costumer:
Ellen Stanistreet
Jane Summers-Eve
Dialogue Coach:
Jenny Kent
Director:
Justin Kurzel
Director of Photography:
Ari Wegner
Dolly Grip:
Michael Vivian
Draughtsman:
Amir Shayan
Editor:
Nick Fenton
Executive Producer:
Sue Bruce-Smith
Raphaël Perchet
Naima Abed
Brad Feinstein
Shaun Grant
Emilie Georges
Daniel Battsek
Sam Lavender
Joseph Ingrassia
Peter Carey
David Aukin
Vincent Sheehan
First Assistant "A" Camera:
Ron Coe
First Assistant "B" Camera:
Nick Forster
First Assistant Director:
Scott Lovelock
First Assistant Editor:
Daniel Newfield
Foley Mixer:
Lisa Simpson
Gaffer:
Ruru Reedy
Graphic Designer:
Anna McEwan
Hair Designer:
Kirsten Veysey
Hair Supervisor:
Kate Birch
Hairstylist:
Lee Norris
Key Grip:
Glenn Arrowsmith
Makeup Artist:
Samara Gildea
Lee Norris
Makeup Designer:
Kirsten Veysey
Makeup Supervisor:
Kate Birch
Music Editor:
Christian Scallan
Music Supervisor:
Jemma Burns
Novel:
Peter Carey
Orchestrator:
Robert Ames
Original Music Composer:
Jed Kurzel
Producer:
Paul Ranford
Justin Kurzel
Liz Watts
Brad Feinstein
Hal Vogel
Production Design:
Karen Murphy
Production Manager:
Anna Steel
Production Supervisor:
Maile Dougherty
Prop Designer:
Tim McGaw
Prosthetic Designer:
Larry Van Buyhoven
Scoring Mixer:
Kirsty Whalley
Peter Cobbin
Screenplay:
Shaun Grant
Second Assistant "A" Camera:
Sam Steinle
Second Assistant "B" Camera:
Thomas Hayes
Second Assistant Director:
Angella McPherson
Second Second Assistant Director:
Jay Corry
Set Decoration:
Rebecca Cohen
Set Designer:
Michael Bell
Set Dresser:
Shelley Williams
Nikki Peace
Sound:
Frank Lipson
Sound Designer:
Frank Lipson
Andrew Neil
Sound Effects:
Andrew Neil
Niels Gabriels
Troy Mauri
Sound Re-Recording Mixer:
Steve Single
Andrew Neil
Sound Recordist:
Mark D'Angelo
Andrew Ramage
Special Effects Makeup Artist:
Sheldon Wade
Special Effects Supervisor:
Angelo Sahin
Special Effects Technician:
Daniel Carlisle
Steadicam Operator:
Tim Walsh
Still Photographer:
Ben King
Stunt Coordinator:
Zev Eleftheriou
Stunts:
Philli Anderson
Daniel Solis
Supervising Dialogue Editor:
Steve Single
Supervising Sound Effects Editor:
Frank Lipson
Third Assistant Director:
Sam Hewison
Title Designer:
Jeremy Saunders
Unit Publicist:
Fiona Nix
Courtney Mayhew
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.