A work in constant progress (and occasional regress).
Release Date:
August 25, 2004
Original Title:
Anacondas: The Hunt for the Blood Orchid
Alternate Titles:
Anaconda 2 - Lanetli Orkidenin Pesinde
Anaconda 2: En Busca de la Orquídea Sangrienta
Anaconda 2: La Caceria por la Orquidea Sangrienta
Anaconda II: The Hunt for the Blood Orchid
Anacondas: À la Poursuite de L'orchidée Sauvage
Anakonda 2: Lov na Krvavu Orhideju
Anakonda 2: Okhota za Proklyatoy Orkhideyey
Anakondi 2: Kŭrvavata Orkhideya
Anakónta 2: To Kynígi tis Matoménis Orchidéas
Trăn Khổng Lồ 2: Săn Lùng Huyết Lan
狂蟒之災2
아나콘다 2: 사라지지 않는 저주
아나콘다 2; 사라지지 않는 저주
Genres:
Action | Adventure | Horror
Production Companies:
Middle Fork Productions
Screen Gems
Production Countries:
United States of America
Ratings / Certifications:
BE: 16 DE: 16 FR: 16 HU: 16 IE: 12 KR: 12 MX: B-15 NL: 16 RU: 16+ SE: 15 SG: PG US: PG-13
Runtime: 96
A scientific expedition sets out for Borneo to seek a flower called the Blood Orchid, which could grant extended life. Meanwhile, they run afoul of snakes and each other.
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ADR Editor:
Damian Candusso
ADR Mixer:
Howard London
Additional Editing:
Antonio Mestres
Art Department Coordinator:
Dilys Tan
Art Direction:
Peter 'Babylon' Owens
Assistant Art Director:
Miriam Johnson
Assistant Camera:
Marc Windon
Assistant Dialogue Editor:
Paul Korber
Assistant Director:
Jamie Crooks
Assistant Editor:
Matthew Ozerski
Best Boy Electric:
Gillian Huxley
Boom Operator:
Mark J. Wasiutak
Camera Operator:
Frank Hruby
Casting:
Justine Arteta
Colorist:
Tristan La Fontaine
Conductor:
Nerida Tyson-Chew
Costume Coordinator:
Diana Freeman
Costume Design:
Terry Ryan
Costumer:
Sandi Cichello
Dialogue Editor:
Nada Mikaš
Digital Compositors:
Marten Blumen
Digital Effects Supervisor:
Angus Cameron
Director:
Dwight H. Little
Director of Photography:
Stephen F. Windon
Dolly Grip:
Martin Fargher
Driver:
Spencer Faulkner
Editor:
Mark Warner
Marcus D'Arcy
Executive Producer:
Jacobus Rose
First Assistant Accountant:
Ernst W. Laurel
First Assistant Camera:
Jem Rayner
First Assistant Editor:
Alicia Gleeson
First Assistant Sound Editor:
William Ward
Foley Mixer:
Blair Slater
Gaffer:
Karl Engeler
Grip:
Ian Bird
Hairdresser:
Megan Dwyer
Hairstylist:
Kate Birch
Helicopter Camera:
John Trapman
Key Costumer:
Fiona Nicolls
Key Hair Stylist:
Zeljka Stanin
Lighting Technician:
Leo Richmond
Location Assistant:
Duncan Jones
Makeup Artist:
Megan Dwyer
Makeup Effects:
Sean Genders
Music Editor:
Linda Murdoch
Music Supervisor:
Pilar McCurry
Orchestrator:
William Boston
Original Music Composer:
Nerida Tyson-Chew
Post Production Supervisor:
Gordon MacPhail
Producer:
Verna Harrah
Production Accountant:
Jason Bogard
Production Assistant:
Jessica Walsh
Production Coordinator:
Arwen Munro
Production Design:
Bryce Perrin
Production Executive:
Richard Harrah
Production Illustrator:
Warren Beaton
Production Manager:
Ray Hennessy
Production Secretary:
Judy Dale
Property Master:
Richie Dehne
Prosthetic Supervisor:
Nik Dorning
Pyrotechnician:
Leo Henry
Rigging Gaffer:
Henare Mato
Rigging Grip:
Kevin Donovan
Scenic Artist:
Andy Robinson
Screenplay:
Michael Miner
Daniel Zelman
Edward Neumeier
John Claflin
Second Assistant Accountant:
Kristin Kruger
Second Assistant Camera:
Ben King
Second Assistant Director:
Jason Faulkner
Second Unit Director:
Mark Wareham
Set Decoration:
Jill Eden
Set Designer:
Jenny Hitchcock
Set Dressing Artist:
Nicki Gardiner
Software Engineer:
John Charles
Sound Designer:
Kirke Godfrey
Sound Mixer:
Gary Wilkins
Special Effects Coordinator:
Marianne Evans
Special Effects Manager:
Kent Miklenda
Special Effects Supervisor:
Tad Pride
Special Effects Technician:
James Howe
Still Photographer:
Jasin Boland
Story:
Jim Cash
Hans Bauer
Jack Epps Jr.
Storyboard Artist:
Julia Holden
Stunt Coordinator:
Glenn Ruehland
Stunt Double:
Sheree Swords
Ashley Fairfield
Renee Bowen
Stunts:
Augie Davis
Supervising Art Director:
Brian Edmonds
Supervising Sound Editor:
Andrew Plain
Swing:
Spencer Faulkner
Technical Supervisor:
Sylvan Dieckmann
Third Assistant Director:
Bish Bishop
Underwater Camera:
Simon Christidis
Unit Manager:
Brendon 'Moose' Boyd
Unit Production Manager:
Liz DiFiore
Video Assist Operator:
Luis Olivares
Visual Effects:
Andrew Butler
Visual Effects Editor:
Paul Booth
Visual Effects Producer:
Pippa Anderson
Visual Effects Supervisor:
Dale Duguid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.