A work in constant progress (and occasional regress).
Release Date:
November 21, 2019
Original Title:
Judy & Punch
Alternate Titles:
Judy and Punch
주디 앤 펀치
Genres:
Comedy | Crime | Drama | Thriller
Production Companies:
Blue-Tongue Films
Create NSW
Film Victoria
Pariah Productions
Screen Australia
Soundfirm
VICE Media
Production Countries:
Australia
Ratings / Certifications:
AU: MA 15+ GB: 15 IE: 15
Runtime: 105
In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge.
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Art Direction:
Adele Flere
Boom Operator:
Hugh Palmer
Dan Giles
Camera Operator:
Andrew 'A.J.' Johnson
Casting:
Kirsty McGregor
Costume Design:
Edie Kurzer
Digital Imaging Technician:
Lukas Davidson
Director:
Mirrah Foulkes
Director of Photography:
Stefan Duscio
Editor:
Dany Cooper
Executive Producer:
Vincent Landay
Eddy Moretti
First Assistant "A" Camera:
Chris Child
First Assistant "B" Camera:
David Elmes
Original Music Composer:
François Tétaz
Producer:
Michele Bennett
Danny Gabai
Nash Edgerton
Production Assistant:
Thomas Johnston
Production Design:
Josephine Ford
Screenplay:
Mirrah Foulkes
Script Supervisor:
Paul Kiely
Second Assistant "A" Camera:
Karin Christensen
Second Assistant "B" Camera:
Corydon Anderson
Sound Designer:
Robert Mackenzie
Sound Effects Editor:
Tara Webb
Sound Recordist:
Andrew Ramage
Steadicam Operator:
Andrew 'A.J.' Johnson
Still Photographer:
Ben King
Stunt Coordinator:
Tony Lynch
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.