A work in constant progress (and occasional regress).
Release Date:
February 27, 2020
Original Title:
Miss Fisher and the Crypt of Tears
Alternate Titles:
Miss Fisher & the Crypt of Tears
Miss Fisher e a Cripta das Lágrimas
Genres:
Adventure | Drama | Mystery
Production Companies:
Every Cloud Productions
Film Victoria
Screen Australia
Production Countries:
Australia
Ratings / Certifications:
AU: M DE: 12 NZ: M RU: 16+
Runtime: 102
After freeing a young Bedouin girl from her unjust imprisonment in Jerusalem, an Australian adventuress, together with her devoted police detective friend, begins to unravel a decade-old mystery concerning priceless emeralds, an ancient curse and the disappearance of the girl's mother and massacre of her tribe.
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ADR Mixer:
Tristan Baylis
ADR Recordist:
Will Carroll
Liesl Pieterse
Armorer:
Kyle Phillpotts
Art Direction:
Myriam Laraki
Tricia Collins
Assistant Editor:
Sean Courtney Lewis
Associate Producer:
Essie Davis
Best Boy Electric:
Jack Kenneally
Best Boy Grip:
Darren McAngus
Camera Operator:
Lilia Sellami
Casting:
Ann Robinson
Casting Associate:
Lucy McLaughlin
Choreographer:
Bernadette Wynack
Cinematography:
Roger Lanser
Construction Manager:
Mustapha Benkiram
Dean Norman
Costume Design:
Margot Wilson
Costume Supervisor:
Lyn Askew
Director:
Tony Tilse
Director of Photography:
Roger Lanser
Drone Operator:
Christopher Lansell
Drone Pilot:
Davor Breznik
Editor:
Stephen Evans
Executive Producer:
Fiona Eagger
Deb Cox
Extras Casting:
Fiona McMaster
First Assistant "A" Camera:
Zakaria Badreddine
First Assistant Camera:
Amine Boudour
First Assistant Director:
Chris Odgers
Mehdi Elkhaoudy
Foley Artist:
Alex Francis
Mario Vaccaro
Foley Editor:
Michael Zachariou
Lee Yee
Megan Howieson
Gaffer:
Aziz Zougar
Matt Begg
Hair Designer:
Anna Karpinski
Hair Supervisor:
Kate Birch
Hairstylist:
Hamdan Malika
Ian Loughnan
Key Grip:
Moulay Mustapha El Idrissi
Brian Pribble
Line Producer:
Sue Edwards
Khadija Alami
Makeup & Hair:
Natalie Burley
Linda Cowell
Kirsten Veysey
Jo Fletcher
Deborah Lanser
Liz Harper
Makeup Artist:
Khadija Hamdan
Makeup Designer:
Anna Karpinski
Makeup Supervisor:
Kate Birch
Original Music Composer:
Greg Walker
Producer:
Lucy Maclaren
Fiona Eagger
Production Accountant:
Mounim Hajjam
Production Coordinator:
Latifa Irassi
Christine Hutchins
Production Design:
Robbie Perkins
Production Secretary:
Lynette Lai
Property Master:
Harvey Mawson
Scenic Artist:
Liam Siddel
Script Consultant:
John Collee
Ysabelle Dean
Script Editor:
Keith Thompson
Script Supervisor:
Aria Harrison
Second Assistant Camera:
Mohamed Louizi
Younes Zoughi
Second Assistant Director:
Dean Fay
Second Unit Director of Photography:
Brendan Lavelle
Set Decoration:
Sean Dennis
Sound Designer:
Chris Goodes
Sound Effects Editor:
Nathalie Resciniti
Sound Recordist:
Steven Bond
Steadicam Operator:
Brenden Shaw
Still Photographer:
Sarah Enticknap
Ben King
Stunt Coordinator:
Othman Ilyassa
Stunt Double:
Zoë Amanda Wilson
Laura Vörtler
Stunts:
Hami Belal
Supervising Art Director:
Lance Whitehouse
Supervising Dialogue Editor:
Glenn Newnham
Third Assistant Director:
Dylan Saulwick
Visual Effects Editor:
Belinda Fithie
Writer:
Deb Cox
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.