Gregory D. Liegey

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Gregory D. Liegey is a visual effects supervisor and creative director at Mammal Studios.

Additional information:

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Compositing Supervisor:
2000  Bless the Child

Digital Effects Supervisor:
2000  Bless the Child
2003  Pirates of the Caribbean: The Curse of the Black Pearl
2004  The Bourne Supremacy
2005  Constantine
2012  Magic Mike

VFX Artist:
1995  Jade
2000  Bless the Child
2003  Pirates of the Caribbean: The Curse of the Black Pearl
2004  The Bourne Supremacy
2005  Constantine
2012  Magic Mike

Visual Effects Supervisor:
1995  Jade
2000  Bless the Child
2003  Pirates of the Caribbean: The Curse of the Black Pearl
2003  The League of Extraordinary Gentlemen
2004  The Bourne Supremacy
2004  Van Helsing
2005  Constantine
2005  Flightplan
2006  Blood Diamond
2006  The Fast and the Furious: Tokyo Drift
2007  Breach
2007  Evan Almighty
2007  Good Luck Chuck
2007  I Am Legend
2008  The Mummy: Tomb of the Dragon Emperor
2008  W.
2009  Fast & Furious
2009  Hannah Montana: The Movie
2009  Invictus
2009  The Lodger
2010  Get Low
2010  The Twilight Saga: Eclipse
2011  Abduction
2011  Larry Crowne
2011  Tower Heist
2012  Being Flynn
2012  Bullet to the Head
2012  Magic Mike
2012  The Master
2013  The Last Stand
2014  Fury
2014  The Interview
2015  Any Day
2015  Concussion
2015  Joy
2016  Suicide Squad
2016  The 5th Wave
2016  The Shallows
2016  Time Toys
2017  Bitter Harvest
2017  Bright
2017  Shot
2018  Bird Box
2020  Bad Boys for Life
2020  Promising Young Woman
2020  The Tax Collector
2021  Army of Thieves
2021  Cinderella
2022  Black Panther: Wakanda Forever
2022  Day Shift
2022  Thor: Love and Thunder
2023  Rebel Moon - Part One: A Child of Fire
2024  Harold and the Purple Crayon
2024  Rebel Moon - Part Two: The Scargiver
2024  Uglies
2025  Thunderbolts*

Visual Effects Supervisor:
2013  Mighty Med
2018  Yellowstone
2021  Mayor of Kingstown
2022  Moon Knight
2023  Lawmen: Bass Reeves

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.