A work in constant progress (and occasional regress).
Release Date:
December 13, 2020
Original Title:
Promising Young Woman
Alternate Titles:
Gelecek Vaat Eden Genç Kadın
Lupaava nuori nainen
Una joven prometedora
زن جوان آینده دار
สาวซ่าส์ล่าบัญชีแค้น
前程似锦的女孩
프라미싱 영 우먼
Genres:
Crime | Drama | Thriller
Production Companies:
FilmNation Entertainment
LuckyChap Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BR: 16 CA: 14A CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 16 FI: K-12 FR: TP GB: 15 GR: Κ-15 HK: IIB HU: 16 IE: 16 IT: 14+ JP: PG12 KR: 15 LT: N-16 MX: B15 NL: 12 NO: 15 NZ: R PL: 16 PT: M/14 RU: 18+ SE: 15 SG: NC16 SK: 15 UA: 16+ US: R
Runtime: 113
A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.
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"A" Camera Operator:
Mike McGowan
Dennis Dwyer
ADR Editor:
Miriam Cole
ADR Mixer:
Sam Burden
Simon Sampath-Kumar
Jeffrey Roy
ADR Voice Casting:
Johnny Gidcomb
Additional Editor:
Emily Freund
Additional Hairstylist:
LeeAnn Brittenham
Additional Set Dresser:
Amber Satchell
Aaron Ferenc
Nandor Szilagyi
Art Department Coordinator:
Dan Tiffany
Art Direction:
Liz Kloczkowski
Assistant Chef:
Carlos L. Rodriguez
Eduardo Rodriguez
Hugo Maldonado
Assistant Property Master:
Ken Levin
Best Boy Electric:
Brian Fosnaugh
Best Boy Grip:
Dennis Pires
Sam A. Camm
Benjamin R. Sherman
Boom Operator:
Chris Sposa
Sean Byrnes
Casting:
Mary Vernieu
Lindsay Graham Ahanonu
Casting Assistant:
Karrie Martin
Casting Associate:
Patricia Rhinehart
Chef:
Felipe Rodriguez
Clearances Coordinator:
Jay Floyd
Co-Producer:
Fiona Walsh
Color Assistant:
Dylan S. Buser
Colorist:
Katie Jordan
Conductor:
Gottfried Rabl
Construction Coordinator:
Jeremy Stecker
Consulting Producer:
Curran de Braganca
Costume Design:
Nancy Steiner
Costume Supervisor:
Claudia Sarbu
Craft Service:
Gregor Matosian
Taguhi Matosian
Hrant Matosian
Dailies Operator:
Andrei Klein
Dialect Coach:
Tim Monich
Dialogue Editor:
Rob Nokes
Digital Imaging Technician:
Chase A. Abrams
Director:
Emerald Fennell
Director of Photography:
Benjamin Kračun
Dolly Grip:
Brad Carr
Driver:
Ryan H. Spaeth
D'Aldo R. Fazzone
Michael Hurwitz
Tom Neal
Edward Lassak
Michael Medlin
Gordon Hill
Brandi Andrews
Salvador Mejia
Eli Lozano
Robert Dargenzio
Ted Joneson
Michael Baker
Stefanie Zoric
Ian Overson
Chris Schimel
Editor:
Frédéric Thoraval
Electrician:
Keith Batchelor
James Cox, Jr.
Yanis Rutmanis
Loren Johnson
Epk Camera Operator:
Sovonto Green
Epk Producer:
Kimberly Panunzio
Alexis Barzin
Executive Producer:
Alison Cohen
Glen Basner
Carey Mulligan
Milan Popelka
Extras Casting:
Michelle Gabriel
Susan Turner
Finishing Producer:
Amy Redfern
First Assistant "A" Camera:
Sarah Brandes
First Assistant "B" Camera:
Alicia Pharris
First Assistant Accountant:
Robin Frazee
First Assistant Director:
Michael T. Meador
Foley Artist:
Joanna Fang
Leslie Bloome
Foley Editor:
Nick Seaman
Laura Heinzinger
Foley Mixer:
Connor Nagy
Ryan Collison
Gaffer:
Jon McGinty
Graphic Designer:
Ashley Hankla
Greensman:
Steven Hanks
Grip:
Adam J. Ruiz
Michael Kerr
Robert Dulany
Hair Department Head:
Daniel Curet
Imaging Science:
Matthew Tomlinson
Key Grip:
Sergio Silva
Edward Rene Apodaca
Key Hair Stylist:
Bryson Conley
Leadman:
Elizabeth R. Rosenbaum
Loader:
LaTerrian Officer-McIntosh
Location Manager:
Kieron Estrada
Makeup Department Head:
Angela Wells
Music Coordinator:
Jackie Mulhearn
Jillian Ennis
Music Editor:
Philip Tallman
Music Supervisor:
Susan Jacobs
Musician:
Liliana Hussen
On Set Dresser:
Lindsay Woodcox
Orchestrator:
Steven Baker
Original Music Composer:
Anthony B. Willis
Payroll Accountant:
Jeff Waddell
Phantom Operator:
Tom Heigl
Playback Coordinator:
Rachel Allen
Post Production Accountant:
Cathy Gurvis
Post Production Coordinator:
Quinn Kawata
Post Production Supervisor:
Tim Pedegana
Producer:
Tom Ackerley
Josey McNamara
Emerald Fennell
Margot Robbie
Ben Browning
Ashley Fox
Producer's Assistant:
Roni Stein
Rachel Rubin
Charlotte Nichol
Production Accountant:
Stan Conger
Production Assistant:
Joshua Nelson
Justin Hong
Cynthia Marín
Monica Broccolo
Nandy McClean
Alina Verenich
Madeline G. Phelps
Kira Hoover
Jennifer Browne
Erin B. Taylor
Allison Lipscomb
Production Coordinator:
Brittany Margaritis
Production Design:
Michael Perry
Production Secretary:
Alyssa Appleton
Property Master:
Kevin Hummel
Score Engineer:
Felipe Pacheco
Martin Weismayr
Scoring Mixer:
Phil McGowan
Script Supervisor:
Renetta G. Amador
Seamstress:
Tesa R. Diaz
Second Assistant "A" Camera:
Rochelle T.A. Brown
Second Assistant Director:
Alexander Armero
Second Second Assistant Director:
Anthony Manzo
Set Costumer:
Matthew Carey
Set Decoration:
Rae Deslich
Set Decoration Buyer:
Jackie Trudel
Lia Lopez-Burrows
Set Dresser:
Kalise Wallace
Jessie Meehan
Nancy T. McLeod
Set Medic:
Eloy Lara
Songs:
Josette Maskin
Naomi McPherson
Katie Gavin
Sound Mixer:
Robert Eber
Sound Re-Recording Mixer:
Scott Weber
Frédéric Dubois
Special Effects Coordinator:
John P. Cazin
Special Effects Technician:
Jeffrey S. Elliott
Stand In:
Carlo Sciortino
Austin Talynn Carpenter
Steadicam Operator:
Dennis Dwyer
Mike McGowan
Still Photographer:
Merie Weismiller Wallace
Stunt Coordinator:
Casey Adams
Stunts:
Shauna Duggins
Monette Moio
Supervising Sound Editor:
Frédéric Dubois
Title Designer:
Joseph Ahn
Aaron Becker
Transportation Captain:
David Christenson
Transportation Coordinator:
Louis Dargenzio
Unit Production Manager:
Reena Magsarili
Unit Publicist:
James Ferrera
Video Assist Operator:
Bob Branam
Visual Effects:
Emily Freund
Jeremy Cox
Visual Effects Compositor:
Mattaniah Yip
Linda Tremblay
Visual Effects Producer:
Chapel Folger
Visual Effects Supervisor:
John Stewart
Gregory D. Liegey
Vocals:
Kelly Adams
Emily Rosen
Writer:
Emerald Fennell
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.