A work in constant progress (and occasional regress).
Release Date:
January 12, 2013
Original Title:
The Last Stand
Alternate Titles:
El último desafío
La Última Oportunidad
Genres:
Action | Crime | Thriller
Production Companies:
Lionsgate
di Bonaventura Pictures
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 AT: 14 AU: MA15+ BE: 16 BR: 14 CA: 14A CH: 14 CL: TE DE: 18 DK: 15 ES: 16 FI: K-16 FR: U GB: 15 GR: Κ-15 HK: IIB HU: 16 ID: D IE: 15 IL: 16 IN: A IS: 16 JP: R15+ KR: 18 LT: N-13 MT: 16 MX: B15 MY: 18SG NL: 16 NO: 15 NZ: 16 PE: 14 PH: R-16 PL: 16 PT: M/12 RU: 16+ SE: 15 SG: NC-16 TH: 18 US: R
Runtime: 107
Ray Owens is sheriff of the quiet US border town of Sommerton Junction after leaving the LAPD following a bungled operation. Following his escape from the FBI, a notorious drug baron, his gang, and a hostage are heading toward Sommerton Junction where the police are preparing to make a last stand to intercept them before they cross the border. Owens is reluctant to become involved but ultimately joins in with the law enforcement efforts
Art Direction:
James F. Oberlander
Assistant Editor:
Yang Jin-mo
Casting:
Jo Edna Boldin
Ronna Kress
Costume Design:
Michele Michel
Director:
Kim Jee-woon
Director of Photography:
Kim Ji-yong
Editor:
Steven Kemper
Original Music Composer:
Mowg
Producer:
Lorenzo di Bonaventura
Production Design:
Franco-Giacomo Carbone
Screenplay:
Andrew Knauer
Second Unit Director:
Darrin Prescott
Set Decoration:
Carla Curry
Sound Effects Editor:
Ai-Ling Lee
Piero Mura
Jon Title
Kris Fenske
Bruce Tanis
Sound Re-Recording Mixer:
Beau Borders
Andy Koyama
Andrii Trifonov
Story:
Andrew Knauer
Stunt Coordinator:
Darrin Prescott
Wade Allen
Stunt Double:
Craig Baxley Jr.
Ed Duran
Jeremy Fry
Kylie Furneaux
Antal Kalik
James Logan
Billy D. Lucas
Angelique Midthunder
Trina Siopy
Stunt Driver:
Hank Amos
Stunts:
Steve Kelso
Diana R. Lupo
Jeff Sanders
Robert Nagle
Supervising Sound Editor:
Victor Ray Ennis
Utility Stunts:
Michael Runyard
Danny Wynands
Al Goto
Mark Norby
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.