A work in constant progress (and occasional regress).
Release Date:
August 11, 2000
Original Title:
Bless the Child
Alternate Titles:
Filha da Luz
La Hija de la Luz
La Mossa del Diavolo
La bendición
Genres:
Crime | Drama | Horror | Thriller
Production Companies:
Icon Entertainment International
Icon Productions
Munich Film Partners & Company (MFP) BTC Productions
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
FR: 12 GB: 15 GR: 16 IE: 15 US: R
Runtime: 107
When Maggie's sister Jenna saddles her with an autistic newborn named Cody she touches Maggie's heart and becomes the daughter she has always longed for. But six years later Jenna suddenly re-enters her life and, with her mysterious new husband, Eric Stark, abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis takes up her cause when he realizes that Cody shares the same birth date as several other recently murdered children.
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3D Artist:
Michael Gay
Daniel Klem
Oystein Larsen
ADR Supervisor:
Zack Davis
Accountant:
Katy Tatian-Genovese
Animation:
Peter Lepeniotis
Andrew Schneider
Animation Supervisor:
Matt Farell
Art Direction:
Elinor Rose Galbraith
Miles Teves
Assistant Art Director:
Jae Pak
Assistant Camera:
Nicole Wiwchar
Assistant Sound Editor:
Ryan Juggler
Jon Michaels
Best Boy Grip:
Marty Miller
Robert Vigus
Boom Operator:
Erika Schengili-Roberts
CG Artist:
Sean White
Camera Operator:
David Emmerichs
Tony Guerin
Camera Trainee:
Federico De Marco
Casting:
Deborah Aquila
Sarah Halley Finn
Robin D. Cook
Casting Assistant:
Rebecca Mangieri
Casting Associate:
Barbara Fiorentino
Co-Producer:
Stratton Leopold
Colorist:
Donald Freeman
Compositing Artist:
Marc Dominic Rienzo
Compositing Supervisor:
Dan Glass
Gregory D. Liegey
Compositor:
Alan Boucek
J.D. Cowles
D. Flint Klingler
Amanda Morrison
Jake Morrison
Ryan 'RT' Todd
Costume Assistant:
Natalie Bronfman
Costume Design:
Denise Cronenberg
Costume Supervisor:
Brenda Gilles
Costumer:
Christina Cattle
Dialogue Editor:
David Williams
Frank Smathers
Digital Compositor:
Chad Carlberg
Thomas Proctor
Ryan Michael Todd
Brigitte Bourque
Director:
Chuck Russell
Director of Photography:
Peter Menzies Jr.
Dolly Grip:
Patrick King
Editor:
Alan Heim
Epk Director:
Sharon Seto
Executive Producer:
Bruce Davey
Lis Kern
Robert Rehme
Extras Casting:
Zameret Kleiman
First Assistant Accountant:
Gene Strange
First Assistant Camera:
Michelle Beaudette
Zoran Veselić
First Assistant Director:
Matthew H. Rowland
Myron Hoffert
First Assistant Editor:
Robert Brakey
David Tarnawsky
Don Thompson
First Assistant Sound Editor:
Tim Tuchrello
Foley Editor:
Dan Yale
Foley Mixer:
Randy K. Singer
Gaffer:
David Breeze
Michael Flood
Jim MacCammon
Grip:
Greg Grainger
Hairstylist:
Mitchell Stone
Key Grip:
Rod Benjamin
Key Rigging Grip:
Matthew Pill
Key Set Costumer:
Donna O'Neal
Lead Animator:
Michael Hemschoot
Leadman:
Arlindo Vicente
Lighting Artist:
Kate Choi
Lighting Technician:
Tony Eldridge
Alejandro J. Castillo
Lux
Location Manager:
Will Hoddinott
Makeup Artist:
Sid Armour
Valli O'Reilly
Ronnie Specter
Music Editor:
Tanya Noel Hill
Novel:
Cathy Cash Spellman
Original Music Composer:
Christopher Young
Painter:
Tim Larsen
Pilot:
Dave Tommasini
Producer:
Mace Neufeld
Production Accountant:
Don Miller
Production Coordinator:
Mary Fraser
Anne Paynter
Jill Fischer
Production Design:
Carol Spier
Production Manager:
Nicholas J. Gray
Production Sound Mixer:
Owen Langevin
Scenic Artist:
Janet Cormack
John Bannister
Screenplay:
Clifford Green
Thomas Rickman
Ellen Green
Script Supervisor:
Anna Rane
Second Assistant Camera:
Nicole Blanchard
Second Assistant Director:
Jonnie Katz
Second Unit Director:
Gary Hymes
Second Unit Director of Photography:
Derick V. Underschultz
Set Costumer:
Donna O'Neal
Set Decoration:
Peter Nicolakakos
Set Designer:
Elis Y. Lam
Michael Madden
Sound Effects Designer:
Charles Maynes
Sound Effects Editor:
Dean Beville
Donald Flick
William Jacobs
Martin Lopez
Sound Re-Recording Mixer:
Dean Humphreys
Adam Sawelson
Special Effects Coordinator:
Michael Kavanagh
Special Effects Makeup Artist:
Greg Cannom
Todd Tucker
Brian Wade
Steadicam Operator:
David Emmerichs
Still Photographer:
Michael Gibson
Storyboard Artist:
Peter Hudecki
Vince Peets
Stunt Coordinator:
Matt Birman
Stunts:
Alison Reid
Jennifer Vey
Debbie Lee Carrington
Branko Racki
Robert Racki
Henry Kingi
Danny Lima
Supervising Sound Editor:
Beth Sterner
Stephen Hunter Flick
Systems Administrators & Support:
Justin Burdine
Unit Publicist:
Karen Pidgurski
Visual Effects:
Rudy Poat
John Tissavary
Visual Effects Compositor:
Anthony Mabin
Visual Effects Coordinator:
David M. Chisholm
Visual Effects Editor:
Sharon Smith Holley
Anthony Mark Viverito
Visual Effects Producer:
Tamara Watts Kent
Jonathan F. Styrlund
Visual Effects Supervisor:
Joel Hynek
Glenn Neufeld
Ralph Maiers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.