A work in constant progress (and occasional regress).
Release Date:
June 24, 2016
Original Title:
The Shallows
Alternate Titles:
The Shallows
The Shallows: Gefahr aus der Tiefe
언더워터
Genres:
Drama | Horror | Thriller
Production Companies:
Columbia Pictures
Ombra Films
Weimaraner Republic Pictures
Production Countries:
Australia | Spain | United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 18A CZ: 15+ DE: 12 DK: 15 ES: 12 FI: K-16 FR: U|10|16 GB: 15 GR: Κ-12 HK: IIB HU: 16 IE: 12A KR: 15 NL: 16 PL: 16 RO: 18 RU: 16+ SE: 15 SK: 12 US: PG-13
Runtime: 86
While surfing on a secluded beach, Nancy finds herself in the feeding grounds of a great white shark. Though stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of her ingenuity, resourcefulness, and fortitude.
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3D Artist:
Philip Trieu
Jonas Bergholm
ADR & Dubbing:
Polly McKinnon
Additional Photography:
Marc Spicer
Animal Wrangler:
Katie Brock
Animation Supervisor:
Christian Kratzert
Armorer:
Michael Bate
Art Department Coordinator:
Di Bennett
Art Direction:
Nathan Blanco Fouraux
Assistant Editor:
Mark V. Phillips
Boom Operator:
Ben Wyatt
Casting:
Ben Parkinson
Chief Lighting Technician:
Mick O'Brien
Construction Coordinator:
Brad Howard
Costume Design:
Kym Barrett
Costume Supervisor:
Chelsea Staebell
Dialogue Editor:
Polly McKinnon
Digital Intermediate:
Alex Portin
Barry Goch
Director:
Jaume Collet-Serra
Director of Photography:
Flavio Martínez Labiano
Dolly Grip:
Simon Cooke
Mal Booth
Todd Carmody
Editor:
Joel Negron
Electrician:
Peter Fragoudakis
Sam McKinnon
Jack Moffatt
Executive Producer:
Douglas C. Merrifield
Jaume Collet-Serra
First Assistant Camera:
Ron Coe
Chris Child
First Assistant Director:
Julian Wall
Steve Danton
First Assistant Editor:
Kevin Stermer
Foley:
Sarah Monat
Willard Overstreet
Hair Department Head:
Rod Ortega
Hairstylist:
Gail Kane
Helicopter Camera:
Peter Beeh
Key Grip:
Benn Hyde
Lighting Technician:
Mark Levey
Location Manager:
Duncan Jones
Makeup Artist:
Cora Montalban
Louise Coulston
Makeup Department Head:
Tami Lane
Makeup Effects:
Sean Genders
Music Editor:
Nevin Seus
Original Music Composer:
Marco Beltrami
Pilot:
Mark Harrold
Producer:
Matti Leshem
Lynn Harris
Production Design:
Hugh Bateup
Rigging Gaffer:
Craig Clark
Rigging Grip:
David Thomson
Screenplay:
Anthony Jaswinski
Script Supervisor:
Carolina Häggström
Sound Designer:
Brandon Jones
Sound Effects Editor:
J.M. Davey
P.K. Hooker
Chris Diebold
Chris Terhune
Sound Re-Recording Mixer:
Tateum Kohut
Special Effects Supervisor:
Ronald Grauer
Steadicam Operator:
Andrew Conder
Still Photographer:
Vince Valitutti
Stunt Coordinator:
Glenn Ruehland
Stunt Double:
Kelly Richardson
Isabella Nichols
Portia Large
Stunts:
Neil Stoddart
Judd Wild
Gulliver Page
Elissa Cadwell
Supervising Art Director:
Fiona Donovan
Underwater Camera:
Simon Christidis
Underwater Director of Photography:
Simon Christidis
Visual Effects Coordinator:
Paul O'Hara
Lee Maher
Johanna Lange
Emily Pead
Anwei Chen
Visual Effects Editor:
Joseph Hart Green
Vincent Liebig
Oliver Eikhoff
Visual Effects Producer:
Carrie Richardson
Noémie Jacques
Tim Johnson
Visual Effects Supervisor:
José Manuel Weil
Gregory D. Liegey
Nathan McGuinness
Allan Magled
Scott E. Anderson
David Nelson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.