Home

Knowing (2009) [PG-13]

Release Date:
March 19, 2009

Original Title:
Knowing

Alternate Titles:
Cuenta Regresiva
Presságio
Sinais do Futuro
รหัสวินาศโลก
ノウイング：2009
先知
地球毀滅密碼
预难大逃亡

Genres:
Action | Mystery | Science Fiction | Thriller

Production Companies:
Escape Artists
Goldcrest
Kaplan/Perrone Entertainment
Mystery Clock Cinema
Summit Entertainment
Wintergreen Productions

Production Countries:
Australia | United Kingdom | United States of America

Ratings / Certifications:
AT: 12  AU: M  BR: 12  CA: 14A  CH: 12  CZ: 15+  DE: 12  DK: 15  ES: 12  FR: 12  GB: 15  GR: PG  HU: 12  IE: 15A  IT: T  KR: 12  NL: 12  NZ: M  PL: 16  PT: M/12  US: PG-13 

Runtime: 121

What happens when the numbers run out?

Overview from TheMovieDB

A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Peter McCaffrey

"B" Camera Operator:
Bruce Phillips

ADR Voice Casting:
Caitlin McKenna

Additional Music:
Ludwig van Beethoven

Art Department Coordinator:
Vanessa Younger

Art Direction:
Andrew Walpole

Boom Operator:
Chris O'Shea

Casting:
Gregory Apps

Co-Executive Producer:
Aaron Kaplan
Sean Perrone

Co-Producer:
Ryne Douglas Pearson

Construction Coordinator:
Shanthi Nadaraja

Costume Design:
Terry Ryan

Costume Supervisor:
Paula Ryan

Dialogue Coach:
Peter Kent

Director:
Alex Proyas

Director of Photography:
Simon Duggan

Editor:
Richard Learoyd

Executive Producer:
Stephen Jones
David Bloomfield
Norman Golightly
Topher Dow

First Assistant "A" Camera:
David Elmes

First Assistant "B" Camera:
Jody Muston

First Assistant Director:
Steve E. Andrews

First Assistant Editor:
Milena Romanin

Foley Artist:
Carrie McLaughlin

Foley Mixer:
Robyn McFarlane

Gaffer:
Shaun Conway

Hair Designer:
Lesley Vanderwalt

Hairstylist:
Jennifer Stanfield

Key Grip:
Toby Copping

Makeup & Hair:
Ashley Johnson

Makeup Artist:
Ilona Herman
Jennifer Stanfield

Makeup Designer:
Lesley Vanderwalt

Music Editor:
Simon Leadley

Original Music Composer:
Marco Beltrami

Post Production Accountant:
Robert Threadgold

Post Production Supervisor:
Colleen Clarke

Producer:
Todd Black
Alex Proyas
Jason Blumenthal
Steve Tisch

Production Coordinator:
Serena Gattuso

Production Design:
Steven Jones-Evans

Rigging Gaffer:
Alex Laguna

Scenic Artist:
Ian Richter

Screenplay:
Ryne Douglas Pearson
Stiles White
Juliet Snowden

Script Supervisor:
Karen Mansfield

Second Assistant "A" Camera:
Chaz Lyon

Second Assistant Director:
Giovanni Pacialeo

Second Second Assistant Director:
Betty Fotofili

Second Unit Director:
Kimble Rendall

Second Unit Director of Photography:
Ross Emery

Set Decoration:
Nicki Gardiner

Set Designer:
Jane Mancini

Sound Re-Recording Mixer:
Phil Heywood
Robert Sullivan

Sound Recordist:
Peter Grace

Special Effects Supervisor:
Angelo Sahin

Story:
Ryne Douglas Pearson

Storyboard Artist:
Peter Pound

Stunt Coordinator:
Chris Anderson

Stunt Double:
Eddie Yansick

Stunts:
Chelsea Bruland
Warwick Sadler

Supervising Art Director:
Michelle McGahey

Supervising Music Editor:
Tim Ryan

Unit Production Manager:
Jennifer Cornwell

Visual Effects Supervisor:
Eric Durst
Andrew Jackson

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.