A work in constant progress (and occasional regress).
Release Date:
May 10, 2001
Original Title:
Risk
Alternate Titles:
Kockázat
Risco Sem Limites
Genres:
Crime | Drama | Thriller
Production Companies:
Macgowan and Beneficiary Films
New South Wales Film & Television Office
Smiley Productions
The Premium Movie Partnership
Production Countries:
Australia
Ratings / Certifications:
US: R
Runtime: 93
Three people discover jealousy and larceny are a dangerous combination in this tense drama. John (Bryan Brown) is a veteran insurance investigator who succumbs to temptation and veers towards the wrong side of the law. With the help of novice con man Ben (Tom Long), John hatches a scheme to substantiate false claims by taking a percentage of several questionable claims his firm has settled for a fraction of their usual worth. John and Ben are assisted in their illegal business by Louise (Claudia Karvan), a lawyer with a cocaine problem who is also John's lover. But when Louise becomes involved with Ben and demands a bigger share of the money, their already-shaky confidence game begins to collapse.
Art Direction:
Jon Rohde
Casting:
Christine King
Cinematography:
Simon Duggan
Clapper Loader:
Stuart Trevan
Lee Mariano
Co-Producer:
Rachel Dixon
Guiseppe Pedersoli
Continuity:
Royce Dunn
Costume Design:
Margot Wilson
Director:
Alan White
Editor:
Lee Smith
Executive Producer:
Marion Pilowsky
Mark Turnbull
Focus Puller:
Benjamin Shirley
Key Grip:
Simon Quaife
Makeup & Hair:
Toni Ffrench
Music:
Don Miller-Robinson
Producer:
Marian Macgowan
Production Designer:
Murray Picknett
Script Editor:
Keith Thompson
Tony Cavanaugh
Sound Designer:
Lee Smith
Steadicam Operator:
Simon Harding
Still Photographer:
Elise Lockwood
Story:
Tracy Kidder
Stunt Coordinator:
Douglas 'Rocky' McDonald
Stunts:
Nash Edgerton
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.