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Women Talking (2022) [PG-13]

Release Date:
December 23, 2022

Original Title:
Women Talking

Alternate Titles:
A Voz das Mulheres
A nők beszélnek
Ce qu’elles disent
Entre Mulheres
Naised räägivad

Genres:
Drama

Production Companies:
Hear/Say Productions
Orion Pictures
Plan B Entertainment

Production Countries:
United States of America

Ratings / Certifications:
AU: M  DE: 12  FR: TP  GB: 15  GR: K12  IE: 15A  KR: 15  MX: B  NL: 16  NO: 12  NZ: R13  PR: PG-13  SE: 11  SG: NC16  US: PG-13 

Runtime: 104

Do nothing. Stay and fight. Leave.

Overview from TheMovieDB

A group of women in an isolated religious colony struggle to reconcile their faith with a series of sexual assaults committed by the colony's men.

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Additional information:

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Performers

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Production

ADR Mixer:
Mark DeSimone

ADR Recordist:
Jennie Shea

Additional First Assistant Camera:
Brent J. Craig

Animation:
Mark Schreiber

Art Department Coordinator:
Astrid Ho

Art Direction:
Andrea Kristof

Assistant Grip:
Sean Bourdeau

Assistant Hairstylist:
Nigel James White

Assistant Makeup Artist:
Jennifer O'Connor

Assistant Property Master:
John Van Lieshout

Assistant Set Designer:
Peter Karmazsin

Boom Operator:
Ormangoren Rony

Camera Trainee:
Tyra Houghton

Cast Driver:
Arlene Halpenny-Heeley

Casting Director:
Jason Knight
John Buchan

Construction Coordinator:
Phillip Tellez

Costume Design:
Quita Alfred

Costume Supervisor:
Carol Wong
Kristie Paille

Dailies Operator:
Robert LeBlanc

Dialogue Editor:
Krystin Hunter

Digital Compositor:
Hong Kyoung Kim
Jennifer Maillet
Hardave Grewal

Digital Imaging Technician:
Joshua Jinchereau

Digital Intermediate Colorist:
Mark Kueper

Director:
Sarah Polley

Director of Photography:
Luc Montpellier

Dolly Grip:
Patrick Krauter

Driver:
R.J. Guha

Drone Pilot:
Tom Comet
Stefan J. Marchand

Editor:
Christopher Donaldson
Roslyn Kalloo

Executive Producer:
Lyn Lucibello
Emily Foley
Brad Pitt

First Assistant Camera:
Andrew Macklin
Brent J. Craig

First Assistant Editor:
Craig Scorgie

First Assistant Makeup Artist:
Larissa Palaszczuk

Foley Editor:
Christopher King
Kevin Jung

Gaffer:
R. Scott Phillips

Graphic Designer:
Mayuko Udea

Grip:
Joe Schroeder
Tyrin Alcott

Hairstylist:
Jaime Donnelly

Head Carpenter:
Thomas Barker

Key Grip:
Richard Emerson

Key Hair Stylist:
Antoinette Julien

Key Rigging Grip:
John Vrakking

Key Scenic Artist:
Victor 'Chikko' Quon

Key Special Effects:
Stacy Campbell

Lighting Technician:
Nasim Kosarnia

Location Manager:
Jeremy Pinard
Anne Richardson

Makeup Artist:
Ashley Rocha

Makeup Department Head:
Shauna Llewellyn

Music Editor:
Jason Ruder

Novel:
Miriam Toews

Original Music Composer:
Hildur Guðnadóttir

Painter:
Don Quan
Steve Quon

Producer:
Dede Gardner
Jeremy Kleiner
Frances McDormand

Production Design:
Peter Cosco

Property Master:
Stephen Levitt

Props:
Karleena Kelly

Scenic Artist:
Janet Cormack

Screenplay:
Sarah Polley

Second Assistant Camera:
William Scheffel

Set Decoration:
Friday Myers

Set Decoration Buyer:
Alexa Anthony
Andrea Hay

Set Designer:
Mira Apci
Sonia Gemmiti
Andrew Redekop

Set Dresser:
Duarte Carreiro
Steven Cordeiro
David Milner
Jonathan Kovacs

Sound Effects Editor:
Alex Bullick

Sound Re-Recording Mixer:
Joe Morrow
Lou Solakofski

Storyboard Artist:
Sam Lloyd

Stunt Coordinator:
Patrick Mark
Layton Morrison

Supervising Sound Editor:
David McCallum
Jane Tattersall

Third Assistant Director:
Sartaj Aulakh
Andrea Luff

Transportation Coordinator:
Joe S. Norris
Dana Howes

Unit Production Manager:
Lyn Lucibello

Unit Publicist:
Lisa Shamata

VFX Editor:
Craig Scorgie

Visual Effects Coordinator:
Cameron Smith

Visual Effects Editor:
Craig Scorgie

Visual Effects Producer:
Agnes Lim

Visual Effects Supervisor:
Kevin Chandoo

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.