Krystin Hunter

Birthplace:
Winnipeg, Manitoba, Canada

Krystin Hunter is a Canadian sound editor for film and television productions. After graduating from Ryerson University's Radio and Television Arts program in Toronto, Ontario, Canada, she began her career in audio post production with Sim's Tattersall Sound & Picture in 2010. She is a Canadian Screen Award winning editor and has worked alongside many of Canada's most notable directors (Denis Villeneuve, Deepa Mehta, Paul Gross, Sarah Polley, Don McKellar).

Additional information:

The Search Form


ADR Editor:
2020  The Broken Hearts Gallery
2023  Brother

Assistant Sound Editor:
2014  Wolves
2020  The Broken Hearts Gallery
2023  Brother

Dialogue Editor:
2012  Stories We Tell
2014  Wolves
2015  Natasha
2016  Rupture
2018  Kin
2020  Disappearance at Clifton Hill
2020  The Broken Hearts Gallery
2022  Crystal Pite: Angels' Atlas
2022  Women Talking
2023  Brother
2023  Swan Song
2024  Code 8 Part II

First Assistant Sound Editor:
2012  Stories We Tell
2014  Debug
2014  Wolves
2015  Natasha
2016  Rupture
2017  Molly's Game
2018  Kin
2020  Disappearance at Clifton Hill
2020  The Broken Hearts Gallery
2022  Crystal Pite: Angels' Atlas
2022  Women Talking
2023  Brother
2023  Swan Song
2024  Code 8 Part II

Sound Editor:
2012  Stories We Tell
2014  Debug
2014  Wolves
2015  Natasha
2016  Rupture
2017  Molly's Game
2018  Kin
2020  Disappearance at Clifton Hill
2020  The Broken Hearts Gallery
2021  Akilla's Escape
2022  Crystal Pite: Angels' Atlas
2022  Women Talking
2023  Brother
2023  Swan Song
2024  Code 8 Part II

Sound Effects Editor:
2012  Silent Hill: Revelation 3D
2012  Stories We Tell
2014  Debug
2014  Wolves
2015  Natasha
2016  Rupture
2017  Below Her Mouth
2017  Molly's Game
2018  Kin
2020  Disappearance at Clifton Hill
2020  The Broken Hearts Gallery
2021  Akilla's Escape
2022  Crystal Pite: Angels' Atlas
2022  Women Talking
2023  Brother
2023  Swan Song
2024  Code 8 Part II

Dialogue Editor:
2023  Silo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.