A work in constant progress (and occasional regress).
Alias:
Sara Polley
莎拉·波利
세라 폴리
Birthplace:
Toronto, Ontario, Canada
Born:
January 8, 1979
Sarah Ellen Polley OC (born January 8, 1979) is a Canadian filmmaker, political activist and retired actress. She first garnered attention as a child actress for her role as Ramona Quimby in the television series Ramona, based on Beverly Cleary's books. This subsequently led to her role as Sara Stanley in the Canadian television series Road to Avonlea (1990–1996). She has starred in many feature films, including The Adventures of Baron Munchausen (1988), Exotica (1994), The Sweet Hereafter (1997), Guinevere (1999), Go (1999), The Weight of Water (2000), No Such Thing (2001), My Life Without Me (2003), Dawn of the Dead (2004), Splice (2009), and Mr. Nobody (2009). Polley made her feature film directorial debut with Away from Her (2006), for which she won the Canadian Screen Award for Best Director and was nominated for the Academy Award for Best Adapted Screenplay. Polley's second film, Take This Waltz (2011), premiered at the 2011 Toronto International Film Festival, followed by her first documentary film, Stories We Tell (2012). She also wrote the miniseries Alias Grace, based on the 1996 novel of the same name by Margaret Atwood. In 2022, Polley wrote and directed the film Women Talking, based on the 2018 novel of the same name by Miriam Toews, for which she won the Academy Award for Best Adapted Screenplay. Description above from the Wikipedia article Sarah Polley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1999 Don't Think Twice
1999 The Best Day of My Life
2002 I Shout Love
2007 Away from Her
2011 Take This Waltz
2012 Stories We Tell
2022 Women Talking
???? The Best Kind of People
Executive Producer:
1999 Don't Think Twice
1999 The Best Day of My Life
2002 I Shout Love
2007 Away from Her
2011 Take This Waltz
2012 Stories We Tell
2016 The Secret Path
2022 Women Talking
2024 Beethoven's Nine: Ode to Humanity
???? The Best Kind of People
Producer:
1999 Don't Think Twice
1999 The Best Day of My Life
2002 I Shout Love
2007 Away from Her
2011 Take This Waltz
2012 Stories We Tell
2016 The Secret Path
2022 Women Talking
2024 Beethoven's Nine: Ode to Humanity
???? The Best Kind of People
Screenplay:
1999 Don't Think Twice
1999 The Best Day of My Life
2002 I Shout Love
2007 Away from Her
2011 Take This Waltz
2012 Stories We Tell
2016 The Secret Path
2022 Women Talking
2024 Beethoven's Nine: Ode to Humanity
???? The Best Kind of People
Writer:
1999 Don't Think Twice
1999 The Best Day of My Life
2002 I Shout Love
2007 Away from Her
2011 Take This Waltz
2012 Stories We Tell
2016 The Secret Path
2022 Women Talking
2024 Beethoven's Nine: Ode to Humanity
???? & Sons
???? The Best Kind of People
Creator:
2017 Alias Grace
Director:
2017 Alias Grace
2020 Hey Lady!
Executive Producer:
2017 Alias Grace
2020 Hey Lady!
Producer:
2017 Alias Grace
2020 Hey Lady!
Teleplay:
2017 Alias Grace
2020 Hey Lady!
Writer:
2017 Alias Grace
2020 Hey Lady!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.