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Jessie Buckley (b. 1989)

Alias:
جسی باکلی
ジェシー・バックレイ
潔西·伯克利
제시 버클리

Birthplace:
Killarney, Ireland

Born:
December 28, 1989

Biography from TheMovieDB

Jessie Buckley (born December 28, 1989) is an Irish actress and singer. The accolades she has received include a Laurence Olivier Award and nominations for an Academy Award and three BAFTA Awards.  Buckley began her career in 2008 as a contestant on the BBC TV talent show I'd Do Anything, in which she came second. A RADA graduate, her early onscreen appearances were in BBC television series, such as War & Peace (2016) and Taboo (2017). Buckley made her film debut playing the lead role in Beast (2017) and had her breakthrough starring in the musical film Wild Rose (2018). Her performance as an aspiring country music singer in the latter earned her a nomination for the BAFTA Award for Best Actress in a Leading Role.  Buckley's career progressed with starring roles in the HBO miniseries Chernobyl (2019), I'm Thinking of Ending Things (2020), season four of Fargo (2020), The Lost Daughter (2021), Men (2022) and Women Talking (2022). Her performance in The Lost Daughter earned her nominations for the BAFTA Award for Best Actress in a Supporting Role and the Academy Award for Best Supporting Actress. Buckley's portrayal of Sally Bowles in a 2021 West End theatre revival of Cabaret won her the Laurence Olivier Award for Best Actress in a Musical.   In 2022, she released the collaborative album For All Our Days That Tear the Heart with Bernard Butler, which was shortlisted for the 2022 Mercury Prize.  Description above from the Wikipedia article Jessie Buckley, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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