A work in constant progress (and occasional regress).
Release Date:
November 16, 2019
Original Title:
Le fond de l'air
Genres:
Documentary | Thriller
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 77
A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.
Administration:
Sia Koukoulas
Cinematography:
Alexandre Lampron
Dominic Gagnon
Simon Beaulieu
Colorist:
Yannick Carrier
Consulting Editor:
Isabelle Painchaud
Patrick Trahan
Pierre Dupont
Director:
Simon Beaulieu
Editor:
René Roberge
Executive Producer:
Colette Loumède
Foley:
Alexis Farand
Foley Recordist:
Nataq Huault
Bernard Belley
Luc Léger
Geoffrey Mitchell
Gaffer:
Michel Robitaille
Key Grip:
Manuel Daigneault
Legal Services:
Christian Pitchen
Line Producer:
Mélanie Lasnier
Music:
simon bélair
Music Sound Design and Processing:
Olivier Borzeix
simon bélair
Musician:
Fany Fresard
David Carbonneau
simon bélair
Julie McInnes
Online Editor:
Yannick Carrier
Producer:
Nathalie Cloutier
Production Coordinator:
Chinda Phommarinh
Production Manager:
Marc-André Faucher
Researcher:
Simon Beaulieu
Sound Designer:
Patrice LeBlanc
Sound Mixer:
Simon Plouffe
Sound Re-Recording Mixer:
Isabelle Lussier
Sound Recordist:
Simon Plouffe
Special Effects:
Karl Lemieux
Studio Teacher:
Pascale Savoie-Brideau
Technical Advisor:
Steve Hallé
Technical Supervisor:
Dominic Gagnon
Jean-François Laprise
Mira Mailhot
Title Designer:
Mélanie Bouchard
Treatment:
Marc Boucrot
Writer:
Simon Beaulieu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.