A work in constant progress (and occasional regress).
Foley Recording Engineer:
2024 In the shallow waters
Foley Recordist:
2004 Tales of Sand and Snow
2008 Madwoman of God
2016 Mabel
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Zeb's Spider
2024 In the shallow waters
2024 Malartic
Mix Technician:
2004 Tales of Sand and Snow
2008 Madwoman of God
2010 As I Am
2016 Mabel
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Zeb's Spider
2024 In the shallow waters
2024 Malartic
Mixing Engineer:
2004 Tales of Sand and Snow
2008 Madwoman of God
2009 Vistas: InukShop
2010 As I Am
2016 Mabel
2016 Roger D'Astous
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Zeb's Spider
2024 In the shallow waters
2024 Malartic
Music:
2004 Tales of Sand and Snow
2008 Madwoman of God
2009 Vistas: InukShop
2010 As I Am
2016 Mabel
2016 Roger D'Astous
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Zeb's Spider
2024 In the Shallows
2024 In the shallow waters
2024 Malartic
Music Sound Design and Processing:
2004 Tales of Sand and Snow
2008 Madwoman of God
2009 Vistas: InukShop
2010 As I Am
2016 Mabel
2016 Roger D'Astous
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Zeb's Spider
2024 In the Shallows
2024 In the shallow waters
2024 Malartic
Sound Mixer:
2004 Tales of Sand and Snow
2007 Balloons
2008 Madwoman of God
2009 Vistas: InukShop
2010 As I Am
2016 Mabel
2016 Roger D'Astous
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 The Specter of Waves
2022 Zeb's Spider
2024 In the Shallows
2024 In the shallow waters
2024 Malartic
Sound Re-Recording Mixer:
2004 Tales of Sand and Snow
2006 Maq and the Spirit of the Woods
2006 They Chose China
2007 Balloons
2008 Madwoman of God
2009 Vistas: InukShop
2010 As I Am
2010 Blue Suns
2016 Mabel
2016 Roger D'Astous
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 The Specter of Waves
2022 Zeb's Spider
2024 In the Shallows
2024 In the shallow waters
2024 Malartic
Sound Recordist:
2004 Tales of Sand and Snow
2006 Here and There
2006 Maq and the Spirit of the Woods
2006 They Chose China
2007 Balloons
2008 Madwoman of God
2009 Vistas: InukShop
2010 As I Am
2010 Blue Suns
2012 Bydlo
2016 Mabel
2016 Roger D'Astous
2017 The Tesla World Light
2018 24 Davids
2018 Bone Mother
2019 Standing on the Line
2019 Where the Land Ends
2019 White Noise
2020 The Apollo of Gaza
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Bill Reid Remembers
2022 The Specter of Waves
2022 Zeb's Spider
2024 In the Shallows
2024 In the shallow waters
2024 Malartic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.