A work in constant progress (and occasional regress).
Sound:
2007 Code 13
2011 Snowbound
2018 -21
2024 L'angoisse du héron
2025 Maman
Sound Designer:
2007 Code 13
2011 Snowbound
2016 Those Who Make Revolution Halfway Only Dig Their Own Graves
2018 -21
2018 Girlfriends
2019 Plainsong
2019 White Noise
2020 Sometimes I Wish I Was On a Desert Island
2020 Vacarme
2021 In the Jam Jar
2021 Louise From 9 to 5
2021 Neighbors in my backyard
2022 L’Atelier
2023 Katshinau
2023 Novembre
2023 Perséides
2024 Afterwards
2024 Diary of a Father
2024 L'angoisse du héron
2025 Maman
2025 Solitudes
???? Exile to the Wild West
Sound Editor:
2007 Code 13
2011 Laurentia
2011 Snowbound
2013 Gaspe Copper
2016 Those Who Make Revolution Halfway Only Dig Their Own Graves
2018 -21
2018 Girlfriends
2019 Plainsong
2019 White Noise
2020 Sometimes I Wish I Was On a Desert Island
2020 Vacarme
2021 In the Jam Jar
2021 Louise From 9 to 5
2021 Neighbors in my backyard
2022 L’Atelier
2023 Katshinau
2023 Novembre
2023 Perséides
2024 Afterwards
2024 Diary of a Father
2024 L'angoisse du héron
2025 La Pensée-Machine
2025 Maman
2025 Solitudes
???? Exile to the Wild West
Sound Re-Recording Mixer:
2007 Code 13
2010 Félix et Malou
2011 Laurentia
2011 Snowbound
2013 Gaspe Copper
2016 Those Who Make Revolution Halfway Only Dig Their Own Graves
2018 -21
2018 Girlfriends
2019 Plainsong
2019 White Noise
2020 Sometimes I Wish I Was On a Desert Island
2020 Vacarme
2021 In the Jam Jar
2021 Louise From 9 to 5
2021 Neighbors in my backyard
2022 L’Atelier
2023 Katshinau
2023 Novembre
2023 Perséides
2024 Afterwards
2024 Diary of a Father
2024 L'angoisse du héron
2025 La Pensée-Machine
2025 Maman
2025 Solitudes
???? Exile to the Wild West
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.