A work in constant progress (and occasional regress).
Birthplace:
Laval, Québec, Canada
Simon Plouffe lives and works as a filmmaker in Montreal / Tiohtià:ke / Mooniyang. He studied screenwriting at UQAM and cinema at Concordia University. His film Others’ Gold (2011) was shown at Dok.Fest Munich and Big Sky Film Festival. Those Who Come, Will Hear (2018) won the Jury Award at the Ann Arbor Film Festival and Best Sound at the Gala Québec Cinéma in 2019. His short exploratory documentary Forests (2022) was screened at festivals including Krakow Film Festival, Edinburgh Film Festival, and was featured at the Hong-gah Museum in Taiwan. It won the Art and Experimentation Award at Rendez-vous Québec Cinéma and the Jury Award at Trento, Italy, in 2023. His latest documentary, Seeing Through the Darkness is set to be released in 2025.
Boom Operator:
2023 Richelieu
Director:
2012 Others' Gold
2018 Those Who Come, Will Hear
2022 Forests
2023 Richelieu
2025 Seeing Through the Darkness
Director of Photography:
2012 Others' Gold
2018 Those Who Come, Will Hear
2022 Forests
2023 Richelieu
2025 Seeing Through the Darkness
Editor:
2012 Others' Gold
2018 Those Who Come, Will Hear
2022 Forests
2023 Richelieu
2025 Seeing Through the Darkness
Producer:
2012 Others' Gold
2018 Those Who Come, Will Hear
2022 Forests
2023 Richelieu
2025 Seeing Through the Darkness
Sound:
2012 Others' Gold
2018 Those Who Come, Will Hear
2019 Dog
2020 Into the Light
2022 Forests
2022 Northern Affairs
2023 Richelieu
2025 I Lost Sight of the Landscape
2025 Seeing Through the Darkness
Sound Designer:
2012 Others' Gold
2018 Those Who Come, Will Hear
2019 Dog
2020 Into the Light
2022 Forests
2022 Northern Affairs
2023 Richelieu
2025 I Lost Sight of the Landscape
2025 Seeing Through the Darkness
Sound Mixer:
2010 Félix et Malou
2012 Others' Gold
2015 Mother's Wish
2015 The Forbidden Room
2017 Primas
2017 Resurrecting Hassan
2018 Des histoires inventées
2018 Innu Nikamu: Chanter la résistance
2018 Those Who Come, Will Hear
2018 Yolanda
2019 Dog
2019 Kenbe La: Until We Win
2019 White Noise
2020 Far from Bashar
2020 Into the Light
2020 Under the Same Sun
2022 Forests
2022 Northern Affairs
2023 Richelieu
2025 I Lost Sight of the Landscape
2025 Seeing Through the Darkness
Sound Recordist:
2010 Félix et Malou
2012 Others' Gold
2013 I am not a great actor
2015 Mother's Wish
2015 The Forbidden Room
2017 Bye
2017 Primas
2017 Resurrecting Hassan
2018 Des histoires inventées
2018 Innu Nikamu: Chanter la résistance
2018 Those Who Come, Will Hear
2018 Yolanda
2019 Dog
2019 Kenbe La: Until We Win
2019 White Noise
2020 Far from Bashar
2020 Into the Light
2020 Under the Same Sun
2021 Bleach
2022 Forests
2022 Northern Affairs
2023 Richelieu
2025 I Lost Sight of the Landscape
2025 Seeing Through the Darkness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.