A work in constant progress (and occasional regress).
Editor:
1988 Gathering Place
1992 Shadows of Spring
1995 Paysage sous les paupières
1997 Le temps qu'il fait
2000 Avant le jour
2002 La main invisible
2004 Le père de Gracile
2006 Un fleuve humain
2009 Home of the Buffalo
2014 Miron : Un homme revenu d'en dehors du monde
2014 Self(less) Portrait
2015 Nallua
2018 La maison des Syriens
2018 Pauline Julien, Intimate and Political
2019 Daughter of the Crater
2019 White Noise
2022 A Night Song
2022 Bloom
2024 Circo
2024 En attendant Casimir
2024 Like a Spiral
2025 Maman
???? Séances
???? The Blueberry Blues
Mixing Engineer:
1988 Gathering Place
1989 Voix off
1992 Shadows of Spring
1995 Paysage sous les paupières
1997 Le temps qu'il fait
2000 Avant le jour
2002 La main invisible
2004 Le père de Gracile
2006 Un fleuve humain
2009 Home of the Buffalo
2014 Miron : Un homme revenu d'en dehors du monde
2014 Self(less) Portrait
2015 Nallua
2018 La maison des Syriens
2018 Pauline Julien, Intimate and Political
2019 Daughter of the Crater
2019 White Noise
2022 A Night Song
2022 Bloom
2024 Circo
2024 En attendant Casimir
2024 Like a Spiral
2025 Maman
???? Séances
???? The Blueberry Blues
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.