Daniela Saioni

Alias:
Daniella Saioni

Birthplace:
Toronto, Canada

Daniela Saioni is an award-winning comedy writer and script supervisor originally from Toronto, Canada.  She has script supervised major motion pictures and TV series in 10 countries, and has served both A-list and first-time directors alike, with a specialization in comedy. She also trains script supervisors internationally through her Director Whisperer Training Program which has been running since 1995.  Discovering her calling in comedy later in life, Daniela's stand-up has been described as 'smart and subversive' and was featured on CBC Radio One to over 1.4 million listeners. In 2016, she transitioned from stand-up to screenwriting, story consulting and punch-up, and joined the Writers' Guild of Canada.  As a comedy screenwriter, her feature script Jiyan (story by filmmaker Mazdak Taebi) has earned nine laurels including Best Screenplay & Best Fresh Voice at the 2019 Female Eye Festival and Grand Prize Winner 2021 WE Screenplay Diverse Voices. At FEFF 2014 she took home Best Reserve Screenplay for a raucous female ensemble comedy script, The WBI, co-written with filmmaker Annie Bradley. That script was also named Harold Greenberg CFF's Top Ten in 2016.  Her own short mockumentary First Person Plural: Copy Cat, a spoof of the work of one of her filmmaking idols Errol Morris, premiered at the Montreal World Film Festival and aired on CBC Newsworld and The Comedy Network.  Daniela has been training comedy screenwriters since 2012 through her From Schtick to Script original sitcom writing program, her Make 'Em Laugh For 90 Minutes feature film program, and her Story Editors' Studio program for story consultants. Between her training programs and her private story consulting clients, she has shepherded the creation of over 100 scripts, and multiple alumni of her programs sold films and TV series even as first-time writers. She loves championing new and diverse voices in the industry and this makes her incredibly happy.

Additional information:

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Script Supervisor:
2011  Against the Wall
2024  The Big Cigar

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.