A work in constant progress (and occasional regress).
Stefan Duscio is an Australian cinematographer, best known for working with screenwriter and director Leigh Whannell on Upgrade (2018) and The Invisible Man (2020).
Camera Operator:
2012 Any Questions for Ben?
Cinematography:
2012 Any Questions for Ben?
2013 Galore
2024 The Dog
Director of Photography:
2009 Mandarin Peel
2010 Pinion
2012 Any Questions for Ben?
2012 Shopping in a Zombie Apocalypse
2012 The Man Who Could Not Dream
2013 Galore
2013 The Last Time I Saw Richard
2013 The Turning
2014 A Day at the Office in a Zombie Apocalypse
2014 Boys On Film 11: We Are Animals
2014 Canopy
2014 Lake
2014 The Mule
2015 Backtrack
2016 Madly
2017 Jungle
2018 Acute Misfortune
2018 Upgrade
2019 Judy & Punch
2019 Sweetheart
2020 Face Your Fears: Thriller Shorts for Adults
2020 The Invisible Man
2021 The Dry
2022 Little Tornadoes
2024 Lunacy
2024 The Dog
2025 Wolf Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.