A work in constant progress (and occasional regress).
Dan Oliver is an Australian special effects supervisor. He worked on various feature films, including X-Men Origins: Wolverine (2009), The Great Gatsby (2013), Mad Max: Fury Road (2015), and Gods of Egypt (2016). Dan Oliver was nominated at the 88th Academy Awards for his work on the film Mad Max: Fury Road in the category of Best Visual Effects. His nomination was shared with Andrew Jackson, Andy Williams, and Tom Wood. He was also nominated at the 94th Academy Awards for his work on the film Shang-Chi and the Legend of the Ten Rings. His nomination was shared with Christopher Townsend, Joe Farrell, and Sean Noel Walker.
Special Effects:
2017 Killing Ground
Special Effects Supervisor:
2006 Gone
2010 Beneath Hill 60
2010 Tomorrow, When the War Began
2013 The Great Gatsby
2015 Mad Max: Fury Road
2016 Hacksaw Ridge
2017 Alien: Covenant
2017 Killing Ground
2017 Pirates of the Caribbean: Dead Men Tell No Tales
2017 The Lego Ninjago Movie
2020 The Invisible Man
2021 Shang-Chi and the Legend of the Ten Rings
2022 Thor: Love and Thunder
Special Effects Technician:
1996 Cosi
1999 Soft Fruit
2006 Gone
2010 Beneath Hill 60
2010 Tomorrow, When the War Began
2013 The Great Gatsby
2015 Mad Max: Fury Road
2016 Hacksaw Ridge
2017 Alien: Covenant
2017 Killing Ground
2017 Pirates of the Caribbean: Dead Men Tell No Tales
2017 The Lego Ninjago Movie
2020 The Invisible Man
2021 Shang-Chi and the Legend of the Ten Rings
2022 Thor: Love and Thunder
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.