A work in constant progress (and occasional regress).
Alias:
Pamela L. Peitzman
In early childhood, my love affair with the face began. Studying paintings of the Masters, I learned with pen and sketchpad how to recreate the facial structure and the subtle quality of facial expression. It wasn’t until later, as a makeup artist, that I learned to change how a face appears with shading and highlights. I returned to my native Philadelphia after nearly 20 years working as a film and television makeup artist in Los Angeles, California. While shooting on location, I was exposed to people and cultures rich in color and imagery. It was during this time, that I began to study and develop my art. After working and traveling in Africa, a passion for the tribal decorations of these proud people merged into my unique style of portraiture. I began to paint in color for the first time, and I jumped in with both feet!! The contrast between the chaotic colors of the subjects’ personal decorations and their quiet dignity are intended to draw the viewer into a world where these exhilarating colors lead to a peace within. My mediums are acrylic or oil on canvas, paper, or wood panel. Occasionally, there is a textural addition of sawdust, shredded paper, sand or eggshell. Brushes, palette knife, and latex gloves are my vehicles.
Hair Supervisor:
1984 Bachelor Party
1985 Moving Violations
Hairstylist:
1984 Bachelor Party
1985 Moving Violations
1993 Father & Son: Dangerous Relations
Key Hair Stylist:
1984 Bachelor Party
1985 Moving Violations
1985 Stand Alone
1993 Father & Son: Dangerous Relations
Key Makeup Artist:
1984 Bachelor Party
1985 Moving Violations
1985 Stand Alone
1986 Hamburger: The Motion Picture
1988 Alien from L.A.
1991 Salmonberries
1993 Father & Son: Dangerous Relations
1995 A Mother's Prayer
Makeup & Hair:
1984 Bachelor Party
1984 Suburbia
1985 Moving Violations
1985 Stand Alone
1986 Hamburger: The Motion Picture
1988 Alien from L.A.
1991 Salmonberries
1993 Father & Son: Dangerous Relations
1995 A Mother's Prayer
Makeup Artist:
1978 The Fifth Floor
1979 H.O.T.S.
1979 Island of the Fishmen
1981 Hell Night
1981 Separate Ways
1982 Conan the Barbarian
1984 Bachelor Party
1984 Suburbia
1985 Moving Violations
1985 Stand Alone
1986 Hamburger: The Motion Picture
1986 The Hitcher
1988 A Tiger's Tale
1988 Alien from L.A.
1988 The Incredible Hulk Returns
1991 Salmonberries
1993 Father & Son: Dangerous Relations
1995 A Mother's Prayer
2002 Bikini Bandits
2009 The Answer Man
2018 Creed II
2022 Hustle
Makeup Department Head:
1978 The Fifth Floor
1979 H.O.T.S.
1979 Island of the Fishmen
1981 Hell Night
1981 Separate Ways
1982 Conan the Barbarian
1984 Bachelor Party
1984 Suburbia
1985 Moving Violations
1985 Stand Alone
1986 Hamburger: The Motion Picture
1986 The Hitcher
1988 A Tiger's Tale
1988 Alien from L.A.
1988 The Incredible Hulk Returns
1990 Buried Alive
1991 Salmonberries
1993 Father & Son: Dangerous Relations
1995 A Mother's Prayer
2002 Bikini Bandits
2009 The Answer Man
2017 Split
2018 Creed II
2019 21 Bridges
2019 Glass
2022 Hustle
Makeup Supervisor:
1978 The Fifth Floor
1979 H.O.T.S.
1979 Island of the Fishmen
1981 Hell Night
1981 Separate Ways
1982 Conan the Barbarian
1984 Bachelor Party
1984 Suburbia
1985 Moving Violations
1985 Stand Alone
1986 Hamburger: The Motion Picture
1986 The Hitcher
1988 A Tiger's Tale
1988 Alien from L.A.
1988 Journey to the Center of the Earth
1988 The Incredible Hulk Returns
1990 Buried Alive
1991 Salmonberries
1993 Father & Son: Dangerous Relations
1995 A Mother's Prayer
2002 Bikini Bandits
2009 The Answer Man
2017 Split
2018 Creed II
2019 21 Bridges
2019 Glass
2022 Hustle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.