A work in constant progress (and occasional regress).
Birthplace:
Breslau, Germany
Born:
September 6, 1934
Fled East Germany in 1960 to live in Stuttgart and work as an electronics engineer. Soon after, she entered a beauty contest on a whim and ended up winning the title of Miss Germany. That led to being crowned Miss Universe in 1961. She married actor Ty Hardin in 1962, but the marriage only lasted 3 years. In 1969, she married Iraqi-born filmmaker Howard Avedis. Their partnership resulted in numerous drive-in hits and cult classics, including The Stepmother (1972), The Teacher (1974) and Mortuary (1983). Marlene always produced, sometimes wrote and usually appeared in supporting roles in these productions.
Associate Producer:
1972 The Stepmother
1974 The Teacher
Executive Producer:
1972 The Stepmother
1974 The Teacher
1975 The Specialist
1976 Scorchy
1978 Texas Detour
1978 The Fifth Floor
1981 Separate Ways
Producer:
1968 Destiny
1972 The Stepmother
1974 The Teacher
1975 The Specialist
1976 Scorchy
1978 Texas Detour
1978 The Fifth Floor
1981 Separate Ways
1982 Mortuary
1984 They're Playing with Fire
1988 Kidnapped
Screenplay:
1968 Destiny
1972 The Stepmother
1974 The Teacher
1975 The Specialist
1976 Scorchy
1978 Texas Detour
1978 The Fifth Floor
1981 Separate Ways
1982 Mortuary
1984 They're Playing with Fire
1988 Kidnapped
Story:
1968 Destiny
1972 The Stepmother
1974 The Teacher
1975 The Specialist
1976 Scorchy
1978 Texas Detour
1978 The Fifth Floor
1981 Separate Ways
1982 Mortuary
1984 They're Playing with Fire
1988 Kidnapped
Writer:
1968 Destiny
1972 The Stepmother
1974 The Teacher
1975 The Specialist
1976 Scorchy
1978 Texas Detour
1978 The Fifth Floor
1981 Separate Ways
1982 Mortuary
1984 They're Playing with Fire
1988 Kidnapped
Line Producer:
2004 Shoebox Zoo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.