Marlene Schmidt (b. 1934)

Birthplace:
Breslau, Germany

Born:
September 6, 1934

Fled East Germany in 1960 to live in Stuttgart and work as an electronics engineer. Soon after, she entered a beauty contest on a whim and ended up winning the title of Miss Germany. That led to being crowned Miss Universe in 1961. She married actor Ty Hardin in 1962, but the marriage only lasted 3 years. In 1969, she married Iraqi-born filmmaker Howard Avedis. Their partnership resulted in numerous drive-in hits and cult classics, including The Stepmother (1972), The Teacher (1974) and Mortuary (1983). Marlene always produced, sometimes wrote and usually appeared in supporting roles in these productions.

Additional information:

The Search Form


Associate Producer:
1972  The Stepmother
1974  The Teacher

Executive Producer:
1972  The Stepmother
1974  The Teacher
1975  The Specialist
1976  Scorchy
1978  Texas Detour
1978  The Fifth Floor
1981  Separate Ways

Producer:
1968  Destiny
1972  The Stepmother
1974  The Teacher
1975  The Specialist
1976  Scorchy
1978  Texas Detour
1978  The Fifth Floor
1981  Separate Ways
1982  Mortuary
1984  They're Playing with Fire
1988  Kidnapped

Screenplay:
1968  Destiny
1972  The Stepmother
1974  The Teacher
1975  The Specialist
1976  Scorchy
1978  Texas Detour
1978  The Fifth Floor
1981  Separate Ways
1982  Mortuary
1984  They're Playing with Fire
1988  Kidnapped

Story:
1968  Destiny
1972  The Stepmother
1974  The Teacher
1975  The Specialist
1976  Scorchy
1978  Texas Detour
1978  The Fifth Floor
1981  Separate Ways
1982  Mortuary
1984  They're Playing with Fire
1988  Kidnapped

Writer:
1968  Destiny
1972  The Stepmother
1974  The Teacher
1975  The Specialist
1976  Scorchy
1978  Texas Detour
1978  The Fifth Floor
1981  Separate Ways
1982  Mortuary
1984  They're Playing with Fire
1988  Kidnapped

Line Producer:
2004  Shoebox Zoo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.