A work in constant progress (and occasional regress).
Alias:
Stephen Royce Mathis
Steve Mathis
Steven Mathis
Steven Royce Mathis
Steven Royce Mathis
Best Boy Electric:
1981 Separate Ways
Chief Lighting Technician:
1981 Separate Ways
2002 The Time Machine
2003 Anger Management
Electrician:
1980 Fade to Black
1981 Halloween II
1981 Separate Ways
1982 Halloween III: Season of the Witch
2002 The Time Machine
2003 Anger Management
Gaffer:
1980 Fade to Black
1981 Halloween II
1981 Separate Ways
1982 Halloween III: Season of the Witch
1986 Dangerously Close
1987 Down Twisted
1987 Laguna Heat
1989 Glory
1989 Honey, I Shrunk the Kids
1991 Career Opportunities
1993 Mrs. Doubtfire
1995 Nine Months
1996 Romeo + Juliet
2002 The Time Machine
2003 Anger Management
2006 Miami Vice
2009 Alvin and the Chipmunks: The Squeakquel
2010 Love & Other Drugs
2011 Rise of the Planet of the Apes
2012 10 Years
2013 Ender's Game
2014 Dawn of the Planet of the Apes
2015 Terminator Genisys
2018 Black Panther
2020 Ava
2021 Minari
Writer:
1980 Fade to Black
1980 Without Warning
1981 Halloween II
1981 Separate Ways
1982 Halloween III: Season of the Witch
1986 Dangerously Close
1987 Down Twisted
1987 Laguna Heat
1989 Glory
1989 Honey, I Shrunk the Kids
1991 Career Opportunities
1993 Mrs. Doubtfire
1995 Nine Months
1996 Romeo + Juliet
2002 The Time Machine
2003 Anger Management
2006 Miami Vice
2009 Alvin and the Chipmunks: The Squeakquel
2010 Love & Other Drugs
2011 Rise of the Planet of the Apes
2012 10 Years
2013 Ender's Game
2014 Dawn of the Planet of the Apes
2015 Terminator Genisys
2018 Black Panther
2020 Ava
2021 Minari
Director of Photography:
2008 In Treatment
Gaffer:
2007 Californication
2008 In Treatment
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.