A work in constant progress (and occasional regress).
Release Date:
April 24, 2018
Original Title:
Disobedience
Alternate Titles:
Desobedencia
Nepovinoveniye
ロニートとエスティ かのじょたちのせんたく
디서비디언스
Genres:
Drama | Romance
Production Companies:
Braven Films
Element Pictures
Film4 Productions
FilmNation Entertainment
LC6 Productions
Production Countries:
Ireland | United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ CA: 18A DK: 15 ES: 12 FI: K-16 FR: TP|U GB: 15 HK: III HU: 18 IE: 16 IL: 16+ JP: R18+ NL: 12 NO: 15 PL: 16 RO: 18 RU: 18+ SE: 7 US: R
Runtime: 114
New York photographer Ronit flies to London after learning about the death of her estranged father. Ronit is returning to the same Orthodox Jewish community that shunned her decades earlier for her childhood attraction to Esti, a female friend. Their fortuitous and happy reunion soon reignites their burning passion as the two women explore the boundaries of faith and sexuality.
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"A" Camera Operator:
Iain Mackay
ADR Recordist:
Nils Fauth
James Trusson
Art Department Assistant:
India Jaques
Art Direction:
Jimena Azula
Bobbie Cousins
Assistant Accountant:
Kamlesh Acheson
Assistant Costume Designer:
Johanna Elf
Assistant Location Manager:
Lucy Lee
Best Boy Electric:
Steve Roberts
Camera Trainee:
Hannah Jell
Casting Associate:
Lauren Evans
Casting Director:
Nina Gold
Co-Producer:
Geneviève Lemal
Conductor:
Hugh Brunt
Costume Design:
Odile Dicks-Mireaux
Dialect Coach:
Sandra Frieze
Dialogue Editor:
Thomas Vertongen
Digital Imaging Technician:
Anthony Bagley
Director:
Sebastián Lelio
Director of Photography:
Danny Cohen
Editor:
Nathan Nugent
Electrician:
Thomas Tann
Executive Producer:
Rose Garnett
Ben Browning
Giovanna Randall
Glen Basner
Eric Laufer
Andrew Lowe
Daniel Battsek
First Assistant "B" Camera:
Tobias Eedy
First Assistant Director:
Simon Hedges
First Assistant Editor:
Fiona Starogardzki
Floor Runner:
Izzy Renton
Malou Coindreau
Focus Puller:
Ben Brown
Gaffer:
Paul McGeachan
Graphic Designer:
Jess Alexander
Grip:
Alex Mott
Hair Designer:
Marese Langan
Line Producer:
Rachel Dargavel
Location Manager:
Vinnie Jassal
Makeup & Hair:
Gigi Dey
Denise Stocker
Alex King
Makeup Designer:
Marese Langan
Music Supervisor:
Sarah Giles
Novel:
Naomi Alderman
Online Editor:
Diana Vasquez
Gareth Bishop
Orchestrator:
Hugh Brunt
Original Music Composer:
Matthew Herbert
Post Production Supervisor:
Deborah Harding
Producer:
Frida Torresblanco
Rachel Weisz
Ed Guiney
Production Accountant:
Adrian O'Brien
Production Assistant:
Simone Tomasi
Production Coordinator:
Emily Leach
Emer O'Shea
Production Design:
Sarah Finlay
Production Manager:
Roslyn Hill
Production Secretary:
Emma Costello
Production Sound Mixer:
Steven Phillips
Property Master:
Dempsey Cook
Rigging Gaffer:
Will Kendal
Script Consultant:
Juan Elías Tovar
Script Supervisor:
Liz West
Second Assistant "B" Camera:
Calem Trevor
Second Assistant Camera:
Alex Finlayson
Second Assistant Director:
Kate Selby
Set Decoration:
Alexandra Slade
Sound Designer:
Ben Baird
Sound Effects Editor:
Thomas Vertongen
David Vranken
Sound Re-Recording Mixer:
Ben Baird
Sound Supervisor:
Sean O'Shea
Standby Art Director:
Caroline Barton
Steadicam Operator:
Iain Mackay
Still Photographer:
Agatha A. Nitecka
Stunt Coordinator:
Derek Lea
Third Assistant Director:
Jason Rickwood
Unit Manager:
Umberto Schramm
Unit Publicist:
Jonathan Rutter
Emma Robinson
Visual Effects Producer:
Michel Denis
Visual Effects Supervisor:
Ronald Grauer
Wardrobe Supervisor:
Elizabeth Richards
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.