A work in constant progress (and occasional regress).
ADR Recordist:
2016 A United Kingdom
Dialogue Editor:
2015 Rise of the Footsoldier: Part II
2016 A United Kingdom
Sound:
1996 Bristol Vibes
2015 Rise of the Footsoldier: Part II
2016 A United Kingdom
2020 The Other Lamb
Sound Designer:
1996 Bristol Vibes
2011 Wreckers
2015 Rise of the Footsoldier: Part II
2016 A United Kingdom
2016 Lady Macbeth
2018 Disobedience
2018 Nightshooters
2018 Pin Cushion
2018 Swimming with Men
2019 Back Roads
2019 Benjamin
2019 Last Breath
2020 County Lines
2020 Herself
2020 Limbo
2020 The Other Lamb
2020 The Owners
2021 Martyrs Lane
2022 Infinite Storm
2022 The Wonder
2023 Apocalypse Clown
2023 Ronnie O'Sullivan: The Edge of Everything
2023 Scrapper
2024 Conclave
2024 The Rising of the Sap
2024 The Teacher
Sound Director:
1996 Bristol Vibes
2011 Wreckers
2015 Rise of the Footsoldier: Part II
2016 A United Kingdom
2016 Lady Macbeth
2018 Disobedience
2018 Nightshooters
2018 Pin Cushion
2018 Swimming with Men
2018 The Pagan King
2019 Back Roads
2019 Benjamin
2019 Last Breath
2020 County Lines
2020 Herself
2020 Limbo
2020 The Other Lamb
2020 The Owners
2021 Martyrs Lane
2022 Infinite Storm
2022 The Wonder
2023 Apocalypse Clown
2023 Ronnie O'Sullivan: The Edge of Everything
2023 Scrapper
2024 Conclave
2024 The Rising of the Sap
2024 The Teacher
Sound Mixer:
1996 Bristol Vibes
2002 Occasional, Strong
2011 Wreckers
2015 Rise of the Footsoldier: Part II
2016 A United Kingdom
2016 Lady Macbeth
2018 Disobedience
2018 Nightshooters
2018 Pin Cushion
2018 Swimming with Men
2018 The Pagan King
2019 Back Roads
2019 Benjamin
2019 Last Breath
2020 County Lines
2020 Herself
2020 Limbo
2020 The Other Lamb
2020 The Owners
2021 Martyrs Lane
2022 Infinite Storm
2022 The Wonder
2023 Apocalypse Clown
2023 Ronnie O'Sullivan: The Edge of Everything
2023 Scrapper
2024 Conclave
2024 The Rising of the Sap
2024 The Teacher
Sound Re-Recording Mixer:
1993 Peter and the Wolf: A Prokofiev Fantasy
1996 Bristol Vibes
2000 Cinderella
2002 Occasional, Strong
2011 Wreckers
2012 Deviation
2013 Scar Tissue
2015 Captain Webb
2015 Rise of the Footsoldier: Part II
2015 The Rise of the Krays
2016 A United Kingdom
2016 Lady Macbeth
2016 Mum's List
2016 The Fall of the Krays
2016 The Unfolding
2017 The Levelling
2018 Aux
2018 Disobedience
2018 Nightshooters
2018 Pin Cushion
2018 Swimming with Men
2018 The Child in Time
2018 The Pagan King
2019 Back Roads
2019 Benjamin
2019 Last Breath
2019 Responsible Child
2020 County Lines
2020 Dune Drifter
2020 Herself
2020 Limbo
2020 Summerland
2020 The Other Lamb
2020 The Owners
2021 Creation Stories
2021 Martyrs Lane
2021 Misha and the Wolves
2021 Say Your Prayers
2022 Infinite Storm
2022 The Wonder
2023 Apocalypse Clown
2023 Ronnie O'Sullivan: The Edge of Everything
2023 Scrapper
2024 Conclave
2024 Stopmotion
2024 The Rising of the Sap
2024 The Teacher
Sound Re-Recording Mixer:
2009 1066: The Battle for Middle Earth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.