A work in constant progress (and occasional regress).
ADR Mixer:
2022 The Pale Blue Eye
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
ADR Recording Engineer:
2022 The Pale Blue Eye
2022 The Road Dance
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
ADR Recordist:
2018 Disobedience
2018 Swimming with Men
2018 The Last Witness
2022 The Pale Blue Eye
2022 The Road Dance
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
Foley Editor:
2018 Aux
2018 Disobedience
2018 Swimming with Men
2018 The Last Witness
2022 The Pale Blue Eye
2022 The Road Dance
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
Sound Editor:
2018 Aux
2018 Disobedience
2018 Pin Cushion
2018 Swimming with Men
2018 The Last Witness
2019 After Louise
2019 Back Roads
2019 Last Breath
2019 My Day
2022 The Pale Blue Eye
2022 The Road Dance
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
Sound Effects Editor:
2018 Aux
2018 Disobedience
2018 Pin Cushion
2018 Swimming with Men
2018 The Last Witness
2019 After Louise
2019 Back Roads
2019 Benjamin
2019 Last Breath
2019 My Day
2020 Monday
2022 The Pale Blue Eye
2022 The Road Dance
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
Sound Mix Technician:
2015 The Rise of the Krays
2018 Aux
2018 Disobedience
2018 Pin Cushion
2018 Swimming with Men
2018 The Last Witness
2019 After Louise
2019 Back Roads
2019 Benjamin
2019 Last Breath
2019 My Day
2020 Monday
2022 The Pale Blue Eye
2022 The Road Dance
2023 Beautiful Disaster
2023 Blue Jean
2023 Crater
2023 How to Have Sex
2023 In the Land of Saints and Sinners
2025 The Damned
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.