Nicholas Woodeson (b. 1949)

Alias:
니콜라스 우드슨

Birthplace:
England, UK

Born:
November 30, 1949

Nicholas Woodeson (born November 30, 1949) is an English film, television and theatre actor, and Drama Desk and Olivier award nominee.  Woodeson was born in Sudan and lived in the Middle East as a boy. He started performing at prep school in Sussex, and Marlborough College. He read English at the University of Sussex, and became involved in student drama productions, where he met Michael Attenborough, Jim Carter, and Andy de la Tour. He took part in the 1970 National Student Drama Festival. Next was a season in rep at the Lyceum Theatre, Crewe, after deciding not to pursue an academic career. He won a scholarship to the Royal Academy of Dramatic Art (1972–74).  His first work after drama school was a season at the Everyman Theatre, Liverpool (1974–75), in a company that included Jonathan Pryce (artistic director), Julie Walters, Pete Postlethwaite and Bill Nighy. He has worked in regional theatre in the UK and US, at the Hampstead Theatre Club, the Young Vic and the Almeida Theatre in London and at the Manhattan Theatre Club (Off-Broadway). He joined the Royal Shakespeare Theatre in 1982 and worked with them for seven years. On Broadway his work includes Straker in Man and Superman (1978), Piaf (1981), Inspector Goole in An Inspector Calls (1995), and Burleigh in Mary Stuart (2009). In 2011, he played Mr Prince in the National Theatre revival of Odets' Rocket to the Moon. He has appeared in the West End in Funny Peculiar (1976), in Good (1982) (also Broadway), as Inspector Goole in An Inspector Calls (2009), as Bonesy in Jumpers (2003) (also Broadway), as Mussabini in Chariots of Fire (2012), and as Harold Wilson in The Audience (2015). He has been in two productions of Pinter's 'The Birthday Party', playing McCann at the National Theatre in 1994, and Goldberg in the Lyric Hammersmith's 50th centenary production in 2008, and two productions of Pinter's The Homecoming, playing Lenny in the 25th Anniversary West End revival in 1991, and Max at the RSC in 2011.  In 2017, following the death of Tim Pigott-Smith, he took over the role of Willy Loman in the Royal & Derngate theatre's tour of Death of a Salesman, for which he was nominated for a UK Theatre Award as Best Actor in a Leading Role.  Woodeson's first film work was a role in Heaven's Gate, released in 1980. By chance, he spent more time on location in Montana than any other actor in the film. He has also appeared in, among others, The Russia House (1990), The Pelican Brief (1993), Shooting Fish (1997), The Man Who Knew Too Little (1997) Titanic Town (1998), The Avengers (1998), Mad Cows (1999), Topsy-Turvy (1999), Dreaming of Joseph Lees (1999), Amazing Grace (2006), Hannah Arendt (2012), the James Bond film Skyfall (2012), Mr. Turner (2014), The Danish Girl (2015), Race (2016), Disobedience (2017), The Death of Stalin (2017) and The Hustle (2019).

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.