A work in constant progress (and occasional regress).
"A" Camera Operator:
2018 Disobedience
2019 The Personal History of David Copperfield
2023 One Life
2024 A Quiet Place: Day One
2024 Damsel
"B" Camera Operator:
2017 The Sense of an Ending
2018 Disobedience
2019 Cats
2019 The Personal History of David Copperfield
2020 Emma.
2023 One Life
2024 A Quiet Place: Day One
2024 Damsel
Camera Operator:
2014 Black Sea
2014 The Silent Storm
2016 Florence Foster Jenkins
2017 The Sense of an Ending
2018 Disobedience
2019 Cats
2019 Spider-Man: Far From Home
2019 The Personal History of David Copperfield
2020 Emma.
2023 One Life
2024 A Quiet Place: Day One
2024 Damsel
Clapper Loader:
2005 Sahara
2006 Basic Instinct 2
2014 Black Sea
2014 The Silent Storm
2016 Florence Foster Jenkins
2017 The Sense of an Ending
2018 Disobedience
2019 Cats
2019 Spider-Man: Far From Home
2019 The Personal History of David Copperfield
2020 Emma.
2023 One Life
2024 A Quiet Place: Day One
2024 Damsel
Second Assistant "B" Camera:
2005 Sahara
2006 Basic Instinct 2
2006 Venus
2014 Black Sea
2014 The Silent Storm
2016 Florence Foster Jenkins
2017 The Sense of an Ending
2018 Disobedience
2019 Cats
2019 Spider-Man: Far From Home
2019 The Personal History of David Copperfield
2020 Emma.
2023 One Life
2024 A Quiet Place: Day One
2024 Damsel
Steadicam Operator:
2005 Sahara
2006 Basic Instinct 2
2006 Venus
2014 Black Sea
2014 The Silent Storm
2016 Florence Foster Jenkins
2017 The Death of Stalin
2017 The Sense of an Ending
2017 Victoria & Abdul
2018 Disobedience
2018 Terminal
2019 Cats
2019 Spider-Man: Far From Home
2019 The Personal History of David Copperfield
2020 Emma.
2023 One Life
2024 A Quiet Place: Day One
2024 Damsel
Camera Operator:
2018 Trust
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.