A work in constant progress (and occasional regress).
Release Date:
August 12, 2004
Original Title:
AVP: Alien vs. Predator
Alternate Titles:
AVP 1։ Alien vs. Predator
Alien vs Depredador
Alien vs Predator
Alien vs Predator - A Halál a Ragadozó ellen
Alien vs. Predator
Alien vs. depredador
Bigane Alayhe Predator
Chuzhoy protiv Khishchnika
Chuzhyy proty Khyzhaka
Cuộc Chiến Dưới Tháp Cổ
Prishŭletsŭt sreshtu khishtnikŭt
Tudin protiv predatora
Álien Enantíon Kynigoú
הטורף נגד הנוסע השמיני
异形战场
異形戰場
異獸戰
Genres:
Action | Adventure | Horror | Science Fiction
Production Companies:
20th Century Fox
Brandywine Productions
Davis Entertainment
Inside Track Films
Kut Productions
Lonlink Productions
Stillking Films
Studio Babelsberg
Production Countries:
Czech Republic | Germany | United Kingdom | United States of America
Ratings / Certifications:
AU: M BE: 16 BG: D BR: 14 CH: 16 CZ: 15+ DE: 16 DK: 11 ES: 18 FI: K-16 FR: TP GB: 15 GR: 16 HU: 16 IE: 15 IT: T KR: 15 MX: B-15 NL: 12 NO: 15 PL: 16 PT: M/12 RO: 18 RU: 16+ SE: 11|15 US: PG-13
Runtime: 100
When scientists discover something near Antarctica that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race.
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3D Supervisor:
Laurent Cordier
ADR Coordinator:
Gianluca Buttari
ADR Engineer:
Marco di Vittorio
ADR Mixer:
Michael Miller
ADR Recordist:
Courtney Bishop
ADR Voice Casting:
Vanessa Baker
Additional Editing:
Les Healey
Additional Second Assistant Director:
Andy Howard
Additional Sound Re-Recording Mixer:
Dan Johnson
Animation:
Gabriele Zucchelli
Ferran Domenech
Art Department Coordinator:
Katerina van Gemundova
Art Department Production Assistant:
David Trojan
Art Direction:
Ray Chan
Jindřich Kočí
Milena Koubková
Justin Warburton-Brown
Stephen Dobric
Assistant Accountant:
Karolina Cerna
Assistant Art Director:
Mark Bartholomew
Assistant Camera:
Zdeněk Mrkvička
Assistant Editor:
Martin Hubáček
Assistant Production Coordinator:
Goran Uljanic
Associate Producer:
Grace Gilroy
Henning Molfenter
Thierry Potok
Best Boy Grip:
Pavel Proisl
Boom Operator:
Tomáš Červenka
CG Artist:
Aleksandar Pejic
CG Supervisor:
Craig Lyn
Mattias Lindahl
CGI Supervisor:
Craig Lyn
Camera Loader:
Václav Kareš
Camera Operator:
Jaromír Šedina
Casting:
Nancy Bishop
Suzanne Smith
Casting Assistant:
Julie Harkin
Casting Associate:
Minna Pyyhkala
Characters:
John Thomas
Jim Thomas
Dan O'Bannon
Ronald Shusett
Co-Producer:
David Minkowski
Matthew Stillman
Chris Symes
Colorist:
Brano Danis
Concept Artist:
Joseph C. Pepe
Conceptual Design:
Steve Burg
Richard K. Buoen
Costume Design:
Magali Guidasci
Costumer:
Jitka Švecová
Creature Design:
H. R. Giger
Data Wrangler:
Andrew Baggarley
Dialect Coach:
Andrew Jack
Dialogue Editor:
Simon Price
Digital Colorist:
Adam Inglis
Digital Compositors:
Henry Badgett
Digital Effects Supervisor:
Ben Shepherd
Digital Intermediate Editor:
Paul Elman
Director:
Paul W. S. Anderson
Director of Photography:
David Johnson
Dolby Consultant:
Mark Kenna
Dolly Grip:
Ian Smith
Draughtsman:
Aleksandar Sasha Matic
Dressing Prop:
Craig Cheeseman
Driver:
Miroslav Čáslavka
Editor:
Alexander Berner
Effects Supervisor:
Ben Shepherd
Electrician:
Martin Tichy
Executive Producer:
Thomas M. Hammel
Wyck Godfrey
Mike Richardson
Extras Casting:
Jirí Hrstka
First Assistant Accountant:
Renee D. Czarapata
First Assistant Camera:
Ladislav Hrubý
First Assistant Director:
Edward Brett
Mark Egerton
First Assistant Editor:
Charles Ladmiral
Focus Puller:
Karl Morgan
Foley:
Melissa Lake
Jason Swanscott
Foley Artist:
Andrea King
Gaffer:
Petr Konrád
Generalist:
Xavier Roig
Graphic Designer:
Jan Kotik
Grip:
Jiří Gažda
Hair Assistant:
Radek Petr
Hair Designer:
Lesley Lamont-Fisher
Hairdresser:
Sherman Hawthorne
Head of Production:
Martin Hobbs
Head of Research:
Julian Mann
I/O Supervisor:
Oliver Faldo
Key Hair Stylist:
Ivo Strangmüller
Lead Animator:
Jeremy Lazare
Leadman:
Jan Kodera
Legal Services:
Andreas Pense
Lighting Artist:
Rafael Morant
Line Producer:
Jennifer Silver
Location Manager:
Lukáš Bech
Makeup Artist:
Ivo Strangmüller
Makeup Designer:
Lesley Lamont-Fisher
Makeup Effects:
Simon Webber
Dawn Dininger
Matte Painter:
Dave Early
Modeling:
Stephane Paris
Music Coordinator:
Karen Elliott
Music Editor:
John Warhurst
Negative Cutter:
Michael Charles
Orchestrator:
James Seymour Brett
Original Music Composer:
Harald Kloser
Painter:
David Selvadurai
Post Production Assistant:
Jason Keever
Post Production Supervisor:
Emma Zee
Post-Production Manager:
Patrick Esposito
Producer:
Gordon Carroll
David Giler
Walter Hill
John Davis
Production Accountant:
Mark Birmingham
Production Assistant:
Luke Gale
Production Coordinator:
John T. Sweeney
Claudia Dehmel
Production Design:
Richard Bridgland
Production Executive:
Jan Hogevold
Production Manager:
Martina Burgetová
Production Secretary:
Veronika Lencová
Production Sound Mixer:
Petr Forejt
Production Supervisor:
Brian Donovan
Project Manager:
Rolf Hanke
Property Master:
Noel Cowell
Propmaker:
Graham Riddell
Rigging Gaffer:
Dean Brkic
Rigging Grip:
Michal Houzvicka
Rotoscoping Artist:
Steven Bray
Screenstory:
Paul W. S. Anderson
Dan O'Bannon
Ronald Shusett
Script Supervisor:
Jessica Clothier
Sculptor:
Colin Jackman
Second Assistant Camera:
Dan Balzer
Second Assistant Director:
Jakub Dvorak
Second Unit Director:
Bharat Nalluri
Security:
Robert Milicevic
Senior Animator:
Greg Fisher
Set Decoration:
Peter Walpole
Set Designer:
Marco Bittner Rosser
Stephen Bream
Stephan O. Gessler
Set Dressing Supervisor:
Bára Barová
Set Medic:
Eva Dvorakova
Set Production Assistant:
Petra Ratner
Sound Editor:
Blair Jollands
Sound Effects Editor:
Mike Grimes
Ben Meechan
Sound Mix Technician:
Nigel Bennett
Sound Re-Recording Mixer:
Andrew Stirk
Simon Gershon
Howard Bargroff
Sound Recordist:
Michal Holubec
Special Effects Assistant:
Michael Beck
Special Effects Makeup Artist:
Dawn Dininger
Barrie Gower
Special Effects Supervisor:
Karl-Heinz Bochnig
Special Effects Technician:
Sam Conway
Steadicam Operator:
Jaromír Šedina
Still Photographer:
Jürgen Vollmer
Story Editor:
Marc Marcum
Storyboard Artist:
Richard Bennett
Stunt Coordinator:
Rick Forsayeth
Stunt Double:
Rene Hajek
Angelica Lisk-Hann
Stunts:
Jaroslav Peterka
Jakub Švec
Jiri Simberský
Michal Grün
Petr Hnětkovský
Jan Petřina
Miroslav Lhotka
Heiko Kiesow
David Lištván
David Motl
Supervising ADR Editor:
Ian Morgan
Supervising Art Director:
Adam O'Neill
Supervising Dialogue Editor:
Miriam Ludbrook
Supervising Music Editor:
Andrew Glen
Supervising Sound Editor:
Simon Gershon
Jeremy Price
Swing:
Miroslav Čáslavka
Technical Advisor:
Dino Herrmann
Third Assistant Director:
Lucy Egerton
Title Designer:
Nic Benns
Translator:
Lenka Rock
Transportation Coordinator:
Jiri Kotlas
Unit Manager:
Jiří Husák
Unit Production Manager:
Adam Goodman
Unit Publicist:
Geoff Freeman
VFX Editor:
Christopher Learmonth
Video Assist Operator:
Michal Chadima
Visual Effects:
James Clarke
Visual Effects Camera:
Steven Hall
Visual Effects Coordinator:
Charles Howell
Visual Effects Editor:
Ian Differ
Visual Effects Producer:
Angie Wills
Mei-Ming Casino
Vít Komrzý
Arthur Windus
Stefan Drury
Visual Effects Supervisor:
Adam Valdez
David Vána
John Bruno
Wardrobe Master:
Věra Mírová
Writer:
Paul W. S. Anderson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.