A work in constant progress (and occasional regress).
Alias:
Jan Høgevold
Jan Hogevold is a post production and visual effects producer based in England. He holds a Bachelor of Arts degree in French and Art History from UCL, a Bachelor of Arts degree in History and Archaeology from Birkbeck, University of London, and a Master of Arts degree in Archaeology from University of Reading. In November 2001, he joined Framestore as a VFX Producer and held the position of Digital Intermediate Producer for five years starting in February 2004. In July 2018, he joined Freefolk's Film & TV VFX department as Bidding Producer. In May 2019, he joined Lipsync Post as a VFX Bidding Producer.
Digital Intermediate:
2006 Casino Royale
Executive Visual Effects Producer:
2006 Casino Royale
2008 Lost and Found
Production Executive:
2004 AVP: Alien vs. Predator
2004 Bridget Jones: The Edge of Reason
2004 Resident Evil: Apocalypse
2005 Sahara
2005 The Dark
2006 Casino Royale
2006 The Queen
2008 Lost and Found
Visual Effects:
2001 Lara Croft: Tomb Raider
2004 AVP: Alien vs. Predator
2004 Bridget Jones: The Edge of Reason
2004 Resident Evil: Apocalypse
2005 Sahara
2005 The Dark
2006 Casino Royale
2006 The Queen
2008 Lost and Found
Visual Effects Producer:
2001 Lara Croft: Tomb Raider
2004 AVP: Alien vs. Predator
2004 Bridget Jones: The Edge of Reason
2004 Resident Evil: Apocalypse
2005 Sahara
2005 The Dark
2006 Casino Royale
2006 The Queen
2008 Lost and Found
2008 Varmints
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.